Tag Archives: Charlotte Jones

Halcyon days

The party’s just getting started inside London’s most glamorous bomb shelter – but, as DQ discovers, all might not be as it seems behind the doors of The Halcyon.

It’s somewhat jarring to see groups of people checking their smartphones while standing around in 1940s period costume. But that’s the scene between takes when DQ spends a day at the West London Film Studios.

It’s here that two stages have been transformed into The Halcyon, a glamorous five-star hotel at the centre of London society and a world at war that forms the setting of an ITV drama of the same name.

The eight-part show follows the staff and guests of the hotel in 1940 and, in particular, pits hotel manager Richard Garland (played by Steven Mackintosh) against owner Lady Priscilla Hamilton (Olivia Williams). The Halcyon’s cast also includes Kara Tointon (Mr Selfridge), Alex Jennings (The Queen), Matt Ryan (Constantine), Hermione Corfield (Pride and Prejudice and Zombies) and Mark Benton (Eddie the Eagle). Produced by Left Bank Pictures (The Crown) and distributed by Sony Pictures Television, it was created by Charlotte Jones along with lead writer Jack Lothian. Sharon Hughff (Strike Back, Waterloo Road) exec produces and Chris Croucher (Downton Abbey) is the producer.

Early in the show’s four-year development process, its creators were clear they didn’t want to create an ‘upstairs-downstairs’ drama akin to Downton Abbey. Instead, they wanted to tell a story about the hotel’s owners and its employees, with the central focus naturally falling on Lady Hamilton, who gives up her country estate to move to London and run the hotel, creating a “total nightmare” for Garland.

“It took a good seven or eight months to find that point of conflict and really get it working,” explains Hughff. “We thought the show was about so many other things and, with so many characters, it takes a long time to develop because you have so many relationships, but that central relationship was the crux of the drama.”

Another key storyline involves a Romeo and Juliet-inspired romance between Lady Hamilton’s son and Garland’s daughter, whose budding romance causes more trouble for their warring parents. “Around them, there are layers and layers of other characters who all have their own intrigue and interest, and you get drawn into those aspects of the story,” Hughff continues.

The Halcyon’s set model

“We always wanted there to be a mystery running through the middle of the series, so Richard Garland has a great big secret, which we learn halfway through the season. And by the end of the season, he gels with Lady Hamilton because she does something bad and he covers it up for her.”

The production crew constructed the hotel’s grand foyer with a sweeping staircase, a bar area and dance floor, a backstage space, a kitchen and several bedrooms. The front, rear and restaurant exteriors, meanwhile, were all filmed on location. Eagle-eyed viewers might recognise the front of the hotel as The Land Registry Offices in Lincoln’s Inn Fields, central London, while the same city’s Liberal Club serves as the restaurant.

Construction of the set took 12 weeks, with around 100 people working on the build at one point. Add in those buying props, dressing the sets and working in the art department and Croucher estimates upwards of 150 people were working on the production at its peak.

Former EastEnders star Kara Tointon plays a singer

“The Second World War is such a rich tapestry of story,” he says. “From our costume team [led by Downton Abbey’s Anna Mary Scott Robbins] to our make-up and design teams, everyone was just so enthused when we started it, because it’s such an amazing period.

“We talked a lot about The West Wing when we were designing the set and, because everything’s connected, you can do these great walk-and-talks where you go from the foyer to the bar to backstage.”

Croucher describes the latter area as The Halcyon’s “crowning glory,” where the tiles, corridors and staircases all match Blythe House, an archive building for the Victoria & Albert, Science and British Museums that doubles as the exterior of the rear of the hotel.

“There are these amazing corridors and staircases so we can constantly make the world feel bigger,” he says. “We designed it so you can have characters in the bar and then they move backstage and then come into the front of house, so there’s constant movement.

The hotel foyer

“We’re lucky because the studio is quite long. You know when you’re in a hotel and the corridors just go on forever? That’s what we wanted to replicate. I also love that all the corridors are designed to enable us to show different floors.”

Meanwhile, a fully functional kitchen allows the camera to capture close-ups of the chefs at work, with real steam filling the air around them. And though it would have been laborious, not to mention expensive, to build 150 bedrooms akin to a real hotel, four bedrooms were constructed and regularly redressed to give the appearance of dozens of different rooms.

“Every room has several doors in and out and we can repaint them and put different furniture in,” Croucher reveals, adding that it took two days to repaint and redress each room. “All of the spaces are constantly changing. It’s a schedule nightmare because we have to be in and out of different rooms. But you really feel like you’ve got this grand hotel.

“In our minds, the hotel was built in 1890, which is why all the back-of-house stuff is quite Victorian. But it had an Art Deco revamp in 1920 and we now meet it in 1940.”

The set’s fully functional kitchen

As expansive as the hotel set is, a quarter of shooting was done on location. One example is a visit to an RAF base where Lady Hamilton’s son Freddie is a pilot.

“As great as it is to all be in the hotel, ultimately you also need to see a bit of the war,” Croucher says, “which is why we show the East End Blitz and the RAF, because otherwise the world becomes too insular.”

Croucher and his production team met the challenge of recreating the Blitz by taking over some period streets in Greenwich to film the nighttime bombing campaign, which begins in episode five. “It was amazing to be able to shoot in those East End streets,” he enthuses. “Those are the challenges I love the most. Filming the blackout was particularly challenging because if you stand in central London now at night, there is a light as far as you can see. There’s always ambient light. We managed to control 50% of the lights in our area but cranes and the like have to be painted out in post-production.”

The production also made use of an RAF base, one of a handful of locations depicted outside the hotel

The West Wing wasn’t the only influence in play, with Hughff revealing that the look and feel of 2007 movie Atonement, plus music from HBO miniseries Band of Brothers and The Imitation Game (2014), also provided inspiration.

Indeed, music is a central element of the series, with original songs created for the show in the style of the 1940s. When DQ visits the set, the stage is ready for the Sonny Sullivan Band as the hotel prepares to celebrate its 50th anniversary. Actor Tointon sings in the series, while award-winning singer-songwriter Jamie Cullum has written two songs for its soundtrack and fellow musician Beverly Knight also performs in scenes set at the Café De Paris.

“Music is really the heartbeat of the show,” Croucher says. “What was great about that period was everyone genuinely thought each day could be their last so the parties were even bigger and wilder and more extravagant, and we tried to show that.”

Behind the camera, director Stephen Woolfenden (Harry Potter) took charge of the first filming block, establishing the show’s visual style and a sense of how the hotel works.

“We wanted it to look sumptuous, elegant and sexy,” notes Hughff. “We have a bar and music and we wanted to make sure the parties were ones we’d all want to go to. We also didn’t want it to look flat and set-like. It’s hard when you build a set; you’ve got to do a lot of work to make it look like it has many dimensions, and the crew has done such an incredible job.”

Despite the creators’ aforementioned reluctance to compare The Halcyon to fellow ITV period drama Downton Abbey, it is hoped the new series could have similar longevity to Downton, which finished last year after six seasons. Launching in the UK on January 2, there is scope for The Halycon to run for five seasons from 1940 until the end of the war in 1945.

But Left Bank Pictures MD Marigo Kehoe says the similarities end there: “A lot of people say this is the next Downton Abbey but we didn’t set out for it to be. Andy [Harries, Left Bank CEO] and I have never done things that are just in a box. We’ve done Strike Back, an action-adventure series, and Wallander. It’s a huge breadth of stuff.

“We’d had this in development for a long time, actually, and what was going on in the hotels during the build-up to the war and the war itself is a fascinating topic.”

Croucher concludes: “‘London’s most glamorous air-raid shelter’ is a line we use a lot. Everyone knows the Second World War but hopefully the hotel will allow us to put a great spin on that. It’s a side of the war you haven’t seen before – the side where the party still carries on.”

tagged in: , , , , , , ,

ITV checks into The Halcyon hotel

Spain's Gran Hotel
Spain’s Gran Hotel

Hotels are great places to set dramas. Not only do you get to see the behind-the-scenes activities of the staff, from lowly bellboy to entrepreneurial owner, you also have guests coming in and out every week.

As with hospitals and shops, this means a constant turnover of stories and characters as the series progresses.

Hotel dramas are nothing new – think back to the UK’s iconic soap Crossroads, for example – but in the last few years they have certainly been in vogue.

There was, for example, the BBC’s Hotel Babylon, set in the world of a luxury five-star hotel. And then came ZDF period drama Hotel Adlon. In the US, we have seen American Horror Story’s most recent season set in a hotel, while Spain has given us the best example of them all with Grand Hotel.

An opulent series set in the early 20th century, the show has proved a big hit at home and in the international distribution market. Not to be overlooked either is Stephen Poliakoff’s new spy drama Close to the Enemy, set in a run-down hotel after the Second World War.

American Horror Story's current outing is based in a hotel
American Horror Story’s current outing is based in a hotel

And so to the point of this preamble, which is that ITV in the UK has commissioned The Halcyon, a series set in a London-based five-star hotel during the Second World War. Produced by Left Bank Pictures and written by Charlotte Jones, it will focus on the guests and staff of the hotel in 1940. As such, it adds the unsettling backdrop of conflict to the transitory nature of hotel life – bombs overhead, staff going to war, soldiers passing through and perhaps even spies.

The eight-hour drama will be produced by Chris Croucher, who also produced the last two seasons of ITV’s period hit Downton Abbey. So there is clearly a hope that The Halcyon can go some way towards replacing that show.

ITV director of drama Steve November said: “A hotel is the perfect place to show ambition in telling the story of the Second World War. It was an extraordinary time in our country’s history, and London was a transforming city. The Halcyon takes us right to the heart of this as the hotel is busy, energetic and vibrant, which reflects how people carried on with their lives with defiance in the air.”

ITV's Steve November
ITV’s Steve November

Left Bank CEO Andy Harries added: “1940 was one of the most dramatic years in our island’s history. Who could have imagined London would survive the blitz and Luftwaffe’s attempted destruction of the city? What was it like to be in a five-star hotel in the West End through this extraordinary period? It’s such a compelling idea for a drama. The world of The Halcyon has to carry on through thick and thin and against all odds. The bedrooms have to be made safe, the bars have to stay open and the band has to play on. People have to sleep, eat and survive.”

Left Bank is owned by Sony Pictures Television (SPT), so the likelihood is that SPT will hold the international distribution rights to the show. If so, this will echo the business model of Downton Abbey, which was commissioned by ITV but produced by NBCUniversal-owned Carnival Films. The series will begin filming in London and surrounding areas from April 2016.

It’s been a good week for Left Bank, which has also been commissioned by ITV to make a fifth season of crime drama DCI Banks. The series, which premiered in 2010, is based on the novels by Peter Robinson and stars Stephen Tompkinson. It is set and filmed in the county of Yorkshire.

Stephen Tomkinson in DCI Banks
Stephen Tompkinson in DCI Banks

Harries said: “I’m delighted we are producing a fifth season of DCI Banks, one of ITV’s best-loved dramas. The stunning backdrop of the Yorkshire countryside is contrasted with the uncompromising storylines the team is dealing with.”

Left Bank isn’t the only indie to have benefited from ITV’s voracious appetite for new drama this week. Indie producer CPL Productions has been given the greenlight to make Brief Encounters, a six-parter looking at a group of four women who get into the lingerie and sex-shop business in the 1980s.

The series is inspired by chapters telling the story of the early days of the Ann Summers party plan business found in Good Vibrations, the memoir by Ann Summers boss Jacqueline Gold. “Brief Encounters is a refreshingly different domestic drama taking us back to the wonderful world of the 1980s,” said November. “We’re really excited by this commission – it’s full of heart, story and great new characters.”

Executive producer Arabella McGuigan added: “Brief Encounters is gutsy, emotional, warm and surprising. Like the real Ann Summers saleswomen, through their camaraderie our women discover hidden strengths and an ability to come out fighting no matter what life throws at you. As wives, mothers and businesswomen, they unleash talent – and they blossom.”

Luther creator Neil Cross's new show is set in a pre-apocalyptic London
Luther creator Neil Cross’s new show is set in a pre-apocalyptic UK

CPL belongs to Red Arrow Entertainment, which presumably means distribution will be handled within the Red Arrow family.

Still in the UK, public broadcaster BBC1 has commissioned a new detective series from Euston Films called Hard Sun. The six-parter is being written by Neil Cross, creator of Luther and a writer on Doctor Who. FremantleMedia International is handling sales.

It’s described as a pre-apocalyptic drama, meaning it is set against the backdrop of a dying world. “Imagine the world you see when you look out your window… except it’s been given a death sentence,” Cross said. “There’s no hero to come save us; no contingency plan. What’s it like, trying to keep order, trying to enforce the law in a city that, day by day, slips closer to certain destruction? How do you get up in the morning? How do you get out of bed and leave your family and go out there, putting your own life at risk? And what about the predators? What about the murderers, the rapists, the thieves? What about the psychopaths, the religious nuts, the cult leaders, the serial killers? Who would fear a prison sentence?”

Meanwhile, comic books continue to be a fruitful source of TV ideas, with US cable channel Syfy developing a new series based on the Dark Horse comic Harrow County. The story focuses on a teenage girl who finds ghosts, goblins, and the restless dead in a nearby forest. She subsequently learns she is the reincarnation of a powerful witch.

Blood and Water has been renewed by OMNI Television in Canada
Blood and Water has been renewed by OMNI Television in Canada

The series is being written by Becky Kirsch, who has previously worked on Syfy’s Dominion and 12 Monkeys.

Discovery is also reported to be working on an anthology drama series. According to Deadline, the broadcaster is developing a show called Manifesto, which will explore how the FBI caught infamous criminal masterminds, with each closed-ended season following a different case. The show sounds similar in structure to Ryan Murphy’s American Crime Story on FX.

Finally, in Canada, OMNI Television has announced that it has renewed crime drama Blood and Water, just a month after the first season’s debut. The show, which is set in Vancouver, is unusual because it delves into the lives of Chinese immigrants and is produced in English, Mandarin, and Cantonese.

tagged in: , , , , , , , , , , , , , , , , , , , , , , ,