Tag Archives: Charité

German writers raise their game

Germany’s leading broadcasters have always spent heavily on TV drama. But until recently there was a feeling that their work was too domestic in character to travel.

Shows like Generation War and Deutschland 83 have changed that perception. This week, we shine a light on the writers who are driving Germany’s TV exports.

kolditzStefan Kolditz studied theatre in Berlin then taught in universities until 2002. Throughout the 1980s and 1990s, he wrote numerous projects for theatre, film and television. After honing his TV skills with classic German dramas such as Tatort and Polizeiruf 110, he had a major breakthrough in 2014 with the UFA/ZDF miniseries Unsere Mütter, unsere Väter (Generation War). He followed this with an acclaimed adaptation of Bruno Aptiz’s classic novel Naked among Wolves, which aired on ARD and is distributed internationally by Global Screen. More recent projects include the film biopic Paula and TV movies for pubcasters ZDF (Ein Mann Unter Verdacht) and ARD (Mutter Reicht’s Jetzt). He has also managed to fit in two new episodes of Tatort.

annette-hessAnnette Hess studied playwriting in the 1990s in Berlin and then worked at ARD in various executive roles. Her life as a screenwriter began in earnest at the start of the last decade, with TV movie credits for her previous employer. Like Kolditz, she cut her teeth on long-running scripted franchises like SOKO (Cologne) and Polizeiruf 110. However, the big turning point came in 2010 with the acclaimed drama series Weissensee, which has now run for three seasons (one every two years). Since then, she has had another big hit with Ku’damm 56, a ZDF series about female emancipation in the 1950s. The UFA-produced show was good enough to secure a follow up called Ku’damm 59, which is now in the works. In 2016, Hess also wrote episodes of Der Kommissar Und Das Meer, a ZDF crime series that has been running since 2007.

philipp-jessenPhilipp Jessen is a new voice to TV having previously worked as the editor of online newspaper service Stern.de. His TV debut came in 2016 with Giftschrank, which has been described as a cross between House of Cards and Kir Royal. The series, which in English translates roughly as Poison Cabinet, goes behind the scenes at a glossy tabloid-style magazine. Joachim Kosack, producer and MD at UFA Fiction, said of the show: “I have rarely seen a script that is so captivating from the first to the last page. Giftschrank gives a fascinating insight into tabloid journalism. High tension is not only the inner view, but also the ever-recurring question of morality in journalism. You get a sense of how editorial works. It is sharp, entertaining and wise.”

thewingersJoerg & Anna Winger burst onto the scene with Deutschland 83, a Cold War drama that aired on RTL in Germany and has attracted a lot of attention internationally. The two  are now working on a sequel called Deutschland 86, which will premiere exclusively on Amazon Prime Video in Germany in 2018 before airing on RTL. Anna Winger is actually from the US, making her part of a growing trend for foreign writers to get involved in German series (others include Paula Milne and Rachael Turk). She is also developing a series for BBC America set in contemporary Berlin.

dorotheeschon1Dorothee Schön grew up in Bonn then studied film in Munich. She has written a number of TV movies and is another to have contributed to the Tatort juggernaut. After two decades working on TV movies, her next big project is a UFA-produced miniseries for ARD called Charité. A six-parter, the show tells the story of Berlin’s legendary Charité hospital, which many credit with inventing modern medical research. Schon is also lined up to write a miniseries for UFA called The Porsche Saga, which is based on a book about the car manufacturer by Stefan Aust and Thomas Ammann.

tomtykwerTom Tykwer is writing Babylon Berlin with Hendrik Handleoegten and Achim Von Borries for a 2017 launch on Sky Deutschland. The lavish period piece will focus on life in 1920s Berlin. Writer/director Tykwer is best known for his movies, which include Run Lola Run, Perfume and Cloud Atlas. It’s not clear yet whether this is the start of a career in TV or a one-off project.

silberChristoph Silber wrote Rivals Forever – The Sneaker Battle, a period piece about the rivalry between Adi and Rudi Dassler, the founders of Adidas and Puma. A British-German producer, director and writer based in LA, Silber has been working across film and TV since the start of the last decade. Like many of his counterparts, he has written episodes of Tatort. Among his better-known TV movies is Das Wunder von Kärnten (written with Thorsten Wettcke), which tells the true story of a three-year-old girl from Austria, who fell into the lake behind her parents’ house in 1998 and had been underwater for 30 minutes before being found. A young cardiovascular surgeon takes up the seemingly hopeless fight for the young girl’s life, and remarkably saves her. More recently, Silber has been working on the miniseries Honigfrauen, which will see the light of day on ZDF in 2017. Set in 1986, it tells the story of two young women who go on holiday to Hungary’s Lake Balaton from East Germany.

basedow-photo-ardthorsten-janderRolf Basedow is one of a team of writers who scripted Beta Film’s NSU Germany History X, a series about far-right German nationalists produced this year. Active in the TV business since the 1970s, he has contributed to dramas like Tatort and has also written series such as Sperling and the acclaimed 10-part series Im Angesicht des Verbrechens (2010), which looked at the interplay of police and gangsters in Berlin. Following NSU, he is back to writing TV movies including Zielfahnder: Flucht in die Karpaten.

jan-bergerJan Berger had a major international hit with The Physician, which was directed by Philipp Stolzl. The Berger/Stolzl combination has subsequently come to be regarded as something of a dream ticket. The pair reteamed for Beta Film’s updated version of western adventure Winnetou and are also working with UFA Fiction on a TV biopic of magicians Siegfried and Roy.

niki-steinNiki Stein and Hark Bohm are writing Hitler, a high-end drama series from Beta Film that will air on RTL and has been sold to French broadcaster TF1. The 10-hour event series is based on the biography Hitler’s First War by the internationally renowned historian Thomas Weber and will “shed an unprecedented light on the most closely examined figure of modern history,” according to Beta Film. Stein (pictured), another Tatort alumnus, has written numerous TV movies. One of his best-known works is the 2012 TV movie Rommel, about the famed Second World War general. The film attracted controversy, so it will be interesting to see how Stein handles this subject.

marcterjungMarc Terjung and Benedikt Gollhardt created the hit Sat1 comedy series Danni Lowinski, about a hairdresser who becomes an unconventional lawyer. The German series ran for five seasons and spawned a Dutch adaptation. Terjung (pictured) also created comedy series Edel & Starck and has written for SOKO. After working on legal dramedy Danni Lowinski, he wrote Josephine Klick – Allein Unter Cops, about a female police officer who moves from a small town to Berlin, whereupon she encounters resistance from her new colleagues.

friese-jantje-01Jantje Friese recently secured the job of writing Dark, Netflix’s first German original series. The 10-part show, directed by Baran bo Odar, is set in a German town where the disappearance of two children exposes the double lives and fractured relationships among four families. Friese studied in Munich then started her career as a commercials director. Subsequently she went into production and writing. Together with Odar, she wrote the film Who Am I?, a well-received political/cyber thriller.

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Mipcom’s mega screening session

Mata Hari
Mata Hari has been produced by Russia’s Star Media

TV markets MipTV and Mipcom in Cannes are primarily known as places for buying and selling programming. But the recent surge in the quality of scripted content from around the world has given them an interesting new role – as platforms for screening new shows.

At first, the screenings were organised on an ad-hoc basis. But MipTV 2016 in April saw the launch of the Mip Drama Screenings, an array of shows selected by jury. There was even a kind of competition, with Belgium’s Public Enemy being awarded the first ever Coup de Couer.

Mipcom, which takes place next month, is also benefiting from the growing appeal of screenings. At the time of writing, market organiser Reed Midem had announced two World Premiere Screenings and eight International Drama Screenings. This is approximately twice as many screenings as last year and it’s still possible one or two more titles will be added to the overall schedule.

The first of the World Premiere TV Screenings (on the evening of Sunday October 16) is the eye-catching Mata Hari, an ambitious series about the infamous dancer, courtesan and First World War female spy.

Based on a true story, Mata Hari is an English-language drama that is produced by Star Media of Russia and distributed by Red Arrow International. It stars French actress Vahina Giocante (The Libertine) in the title role, and features Christopher Lambert (Highlander) and John Corbett (Sex and the City) – all three of whom will attend Mipcom and take part in a Q&A session directly following the screening.

The Rocky Horror Picture Show stars Laverne Cox (left)
The Rocky Horror Picture Show stars Laverne Cox

Commenting on the 12-hour series, Red Arrow International MD Henrik Pabst said: “The scale, quality and ambition of this new series mark a new chapter in Russian-made English-language drama, and we are looking forward to launching it at Mipcom.”

It is part of a growing trend towards English-language series originating in non-English markets – other examples being Versailles and forthcoming drama The Young Pope.

Screening on Tuesday October 18, 20th Century Fox Television’s much-anticipated two-hour TV special of The Rocky Horror Picture Show is the other World Premiere Screening at Mipcom. A made-for-TV reboot of the iconic movie/theatre show, The Rocky Horror Picture Show sees young couple Brad and Janet stray off the highway one night and stumble upon the castle of Dr Frank-N-Furter, a gender-bending mad scientist who is keen to show off his latest creation, Rocky.

It stars Laverne Cox as Dr Frank-N-Furter, Victoria Justice as Janet, Ryan McCartan as Brad, and Adam Lambert as Eddie, the role originally played by Meat Loaf. The new version also sees Tim Curry, the original Frank-N-Furter, return as the show’s criminologist narrator.

Distributed by 20th Century Fox Television Distribution, the editorial heritage of the project is bound to attract plenty of buyers. But it will also be interesting to see if it represents a revival of interest in the TV film format, which could lend itself well to the on-demand viewing landscape that major markets have shifted towards. It would be a major surprise if the project didn’t attract the interest of Amazon or Netflix (the latter of which works with Cox on Orange is the New Black).

Beta Film's Maximilian
Beta Film’s Maximilian

Turning to the International Drama Screenings, one of the first up will be Beta Film-distributed historic epic Maximilian and Maria de Bourgogne, which will be screened on the evening of Monday, October 17. Directed by Andreas Prochaska, this sumptuous six-hour period drama is estimated to have had a budget of €16m (US$17.9m). A love story set towards the end of the Middle Ages, it stars Berlinale up-and-comer Jannis Niewoehner alongside César-nominee Christa Théret and is coproduced by MR Film, Beta Film, ORF and ZDF.

Another interesting screening will be The Missing 2, an English-language thriller distributed by All3media International. Initially, the organisers of Mipcom weren’t sure if it was right to screen a follow-up season. But they were ultimately convinced by the fact that The Missing is an anthology format, part of a growing trend in scripted TV that also includes acclaimed series such as Fargo and True Detective.

The story follows a young woman who has been missing for 11 years. When she returns, she holds vital clues about another missing girl who has not yet been found.

Aside from its anthology status, the show is interesting because of the complexity of its coproduction status. It is credited as a New Pictures production for BBC1 in the UK and US premium cable network Starz, in association with Two Brothers Pictures and Playground Entertainment. It is also cited as a copro with Czar TV and BNP Paribas Fortis Film Finance with the support of één (VRT) and Screen Flanders.

The Missing 2 is unconnected to the first season of the show
The Missing 2 is unconnected to the first season of the show

Screening on October 18 is Ouro, distributed by Newen Distribution. The eight-part series is a modern day adventure set in the Amazonian jungle. It tells the story of Vincent, a 20-year-old geology student, who goes to French Guiana to do an internship at a gold-mining company. His love for danger then prompts him to join forces with a local gold lord to explore an abandoned mine.

This is another show that is certain to attract a lot of interest. Aside from the fact it is part of a resurgence of interest in adventure series, it’s a Canal+ original drama, meaning it’s part of the same stable as acclaimed French scripted shows like The Returned, Versailles, Spiral and Braquo.

Continuing the popularity of challenging period drama, there will also be a screening of Carnival Films’ Jamestown, which tells the story of the first British settlers in North America’s inhospitable but magnificent wilderness. As three young women arrive in a fledgling Virginian colony, the community battles against threats from both outside and within. This is another six-parter, underlining the popularity of this format.

At the other end of the scripted spectrum, there is also a screening for AwesomenessTV’s Freakish, the story of 20 high-school students trying to survive after their school has been destroyed by an explosion that causes the surviving population to mutate.

Charité
Charité centres on the Charité Hospital

Wednesday October 19 in Cannes will see a double bill of screenings, starting with Global Screen-distributed Prisoners (working title). Combining the international market’s interest in Nordic content with its fascination with women’s prison drama, this six-part scripted series, directed by Ragnar Bragason, is about a woman who is sent to serve time in Iceland’s only female prison for a vicious assault that leaves her father in a coma. But no one knows that she harbours a dark secret that could tear her family apart – a secret that could also set her free.

The second leg of the double bill is UFA Fiction’s Charité, also a six parter. Set in Berlin in 1888, it centres on the world-famous Charité Hospital.

Aside from telling a compelling human-interest story, the series uses the hospital as a microcosmic reflection of late 19th century Wilhelmine society. This period saw unprecedented scientific progress in medicine accompanied by radical changes in society and the economic upheavals of industrialisation. The series is directed by Sönke Wortmann and written by Dorothee Schön and Sabine Thor-Wiedemann.

Run Run Shaw
Run Run Shaw

Finally on the Mipcom screening slate comes The Legendary Tycoon, from China Huace Film & TV. A welcome addition to the mix, the show is set against the backdrop of the Chinese film industry and is based on the true story of Asia’s first movie mogul, Sir Run Run Shaw.

Shaw, who founded Shaw Brothers Film Studios in the 1960s, was a media mogul who popularised Chinese Kung Fu movies in the west and worked in the entertainment industry for 80 years. Known as The King of Asian Entertainment, he died in 2014 at the amazing age of 107.

There’s no question that the dramas that secured screenings at MipTV 2016 benefited enormously in terms of profile among international buyers. So it will be interesting to see if this autumn’s crop of shows get a similar boost to their distribution efforts.

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