Tag Archives: Callie Khouri

Music shows strike a chord with networks

As a childhood fan of The Monkees, I can vouch for the fact that TV series about the music business are nothing new. But there’s no question that the current success of Fox US’s hip-hop drama Empire has inspired an unprecedented array of music-related scripted shows. So this week’s column takes a look at the writers who are riding the crest of this compositional wave.

Star: After the success of Empire, the show’s co-creator Lee Daniels is planning another music-based scripted show. Working alongside Tom Donaghy, he is making Star, a series about three girls who form a band and their rise to the top. Like Empire, Star is for Fox, at which Daniels has an overall deal. Daniels is good at doing diversity. His band will comprise one white girl, one black girl and one mixed-race girl (half white/half black). There is also a transgender black/Latino central character called Cotton. Donaghy, meanwhile, is a playwright who is also known for having worked on The Mentalist and for creating ABC’s The Whole Truth.

Vinyl

Vinyl has just started airing on HBO (February 14) to pretty good reviews. Based on an idea by Mick Jagger and Martin Scorsese, it tells the story of Richie Finestra, a record executive in the 1970s, played by Bobby Cannavale. The story credit goes to Jagger, Scorsese, Rich Cohen and Terence Winter, who also wrote the screenplay with George Mastras. As you’d expect with a project of this calibre, the writers are TV royalty. Winter, for example, was creator, writer, and executive producer of Boardwalk Empire, having previously worked on The Sopranos and written The Wolf of Wall Street. Mastras worked on all five seasons of AMC’s Breaking Bad and is also the author of a novel, Fidali’s Way. There are already reports that Winter wants to do a second season.

The Breaks has just been greenlit as a series by Viacom pay TV channel VH1, having debuted strongly as a TV movie in January. Based on the Dan Charnas book The Big Payback, it’s a history of the hip-hop business. The series story is being developed by Charnas and Seith Mann, with the latter writing, directing and executive producing. Mann’s credits include The Wire, The Walking Dead and Homeland. The story follows three young friends seeking to establish themselves as hip-hop artists in New York City in 1990.

Vital Signs is the new series Apple is reported to be making with rap legend and Beats Music co-founder Andre Young, better known as Dr Dre. The show will be a semi-autobiographical “dark drama.” Apple and Dr Dre have not yet commented on the nascent project, which means it is too early to know who will write it. One option might be Jonathan Herman and Andrea Berloff, the Oscar-nominated duo who wrote the screenplay for NWA biopic Straight Outta Compton – though both are embroiled in other projects. Berloff, for example, is writing Sleepless Night, a movie starring Jamie Foxx, whike Herman has been working on the Scarlett Johansson movie Ghost in the Shell.

Roadies

Roadies is a comedy from Showtime that, as its name suggests, goes backstage with a group of roadies. Directed by Cameron Crowe, the show will give an insider’s look at “the reckless, romantic, funny and often poignant lives of a committed group of roadies who live for music and the de facto family they’ve formed along the way. The music-infused ensemble comedy series chronicles the rock world through the eyes of music’s unsung heroes.” Crowe is a writer/director, mainly known for films such as Jerry Maguire and We Bought a Zoo. Less well known is the fact that he’s a huge music aficionado. After leaving college, Crowe worked for Rolling Stone, where he interviewed the likes of Dylan, Bowie and Clapton. His second film, Almost Famous, was about a teen music journalist who goes on the road with a band in the early 1970s.

New Edition project: Viacom-owned BET is making a miniseries based on the 1980s R&B heartthrobs New Edition – marking the network’s first scripted music-focused TV movie. A three-parter, the show has the backing of five of the band’s members, but not the most famous of the group, Bobby Brown. The film will chronicle New Edition’s beginnings in Boston’s Orchard Park Projects to success with tracks like Candy Girl and Cool It Now. The script is being written by Abdul Williams, who previously wrote the movie Lottery Ticket (which included Ice Cube in the cast).

Nashville

Nashville deserves a mention, even though it predates Empire by a few years. Now up to its fourth season, the show centres on the rivalry between country queen Rayna James and rising star Juliette Barnes. The show was created by Callie Khouri, who won an Academy Award in 1992 for the Thelma & Louise screenplay. Until Nashville, she mostly worked in movies, writing films such as Something to Talk About, Divine Secrets of the Ya-Ya Sisterhood and Mad Money. For season four, Khouri stepped back from writing but has directed some episodes. Writing was shared among a team of 10 writers, with the opening episode penned by Meredith Lavender and Marcie Ulin. The final episode, which will air this spring, is set to be written by Taylor Hamra, who was also involved in the recent TNT reboot of oil-industry soap Dallas.

The Get Down, which we discussed in a recent column, is a Baz Luhrmann music-driven drama that focuses on 1970s New York City: “broken down and beaten up, violent, cash strapped – dying.” It’s for Netflix, which says the six-part series is “a mythic saga of how New York at the brink of bankruptcy gave birth to hip hop, punk and disco – told through the lives and music of the South Bronx kids who changed the city, and the world… forever.” This is similar terrain to Vinyl, so it will be interesting to see how it pans out in comparison. Luhrmann’s creative team includes Oscar-winning designer Catherine Martin, hip-hop historian and writer Nelson George and writer Stephen Adly Guirgis. To date, Guirgis is best known as a playwright, having won the 2015 Pulitzer Prize for drama for Between Riverside and Crazy. However, he does have a few screenwriting credits to his name, including an episode of NYPD Blue from 2002 and a couple of short-lived dramas called Big Apple (CBS) and UC: Undercover (NBC). He is also an actor, appearing in movies such as Birdman.

Stop! In the Name of Love is a four-part miniseries for the BBC that will incorporate numerous Motown songs (a la Mamma Mia). The UK drama follows six smart thirtysomething women as they deal with love, friendship, success and failure. The show is a joint venture between Tony Jordan (Dickensian, Life on Mars), Duncan Kenworthy (Notting Hill, Four Weddings and a Funeral), Antenna Group MD and former president of NBCUniversal International Peter Smith, and music consultant and former chairman of Universal Music UK John Kennedy. Jordan, who is writing the series, says it will “offer something completely different from any other show on television. The music of Motown is iconic and mirrors the rich gamut of human emotion and experience as well as exploring universal themes that all cultures and ages can relate to. The musical arrangements and cutting-edge choreography will give us a uniquely modern take on a timeless genre of music.”

Mozart in the Jungle

Mozart in the Jungle is another show we’ve looked at recently following its Golden Globe triumph (Best Series – Music or Comedy). A quirky story of professional musicians working the New York concert circuit, Mozart is based on the memoir of an oboist called Blair Tindall. It was brought to the screen by a company called Picrow, with the pilot episode written by Roman Coppola, Jason Schwartzman and Alex Timbers. Once the show was commissioned as a 10-part series, a further eight people were credited with either writing scripts or providing stories. The most prominent names among these were John Strauss and Paul Weitz, the latter also directing a number of first season episodes. Season two, which was released on December 30 last year, involved some of the same writers but there were also five new additions – giving the show an ensemble feel both on and off the screen. Since we last wrote about the show, it has been give a third season.

Power isn’t quite a music series but it has strong music connections. Created and written by Courtney Kemp Agboh, the series follows James St. Patrick, nicknamed Ghost. Ghost is the owner of a popular New York nightclub – but also a major player in an illegal drug network. The show, which is produced by rapper Curtis ‘50 Cent’ Jackson has aired for two series on Starz and was recently renewed by the network for a third.

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Down with the kids

The TV industry is constantly being told that it is out of touch with the teen audience, which now spends so much of its leisure time snacking content on mobile or immersed in social media. So it was interesting to see which scripted shows came out on top at the Teen Choice Awards, a Fox TV event that invites teens to vote for their favourite stars and shows across a range of categories.

In the Best TV Drama category, the winner was Pretty Little Liars, with Castle, Empire, The Fosters, Grey’s Anatomy and Nashville named on the shortlist.

In the Breakout Show category, the winner was Empire, with Blackish, iZombie, Jane the Virgin and Younger also nominated (also on the latter shortlist was Becoming Us, an ABC Family reality show with a transgender theme).

So this week we’ve decided to give a shout-out to the writers and creators who seem to have their fingers on the teen pulse.

Pretty-Little-LiarsPretty Little Liars
In previous columns we’ve commented on the huge social media following established by this ABC Family show, created by I Marlene King. King is already committed to two more series of PLL (which is based on books by Sara Shepard) and also made one series of a spin-off called Ravenswood.
Going forward, she has been signed up to adapt Danielle Vega horror novel The Merciless as a film. She is also developing another Shepard novel, The Perfectionists, as a TV series for ABC Family.

Castle
Castle is a crime drama that has been airing on ABC since 2009. Now up to 151 episodes, it was created by Andrew Marlowe and focuses on the love-hate relationship between a homicide detective and a mystery novelist. Marlowe cut his teeth on movies such as Air Force One, End of Days and Hollow Man and is now developing new ideas with ABC Studios. In 2014, the prime responsibility for Castle shifted to David Amann, whose own track record includes Three Rivers, Without a Trace, Crossing Jordan and The X-Files. Amann will not, however, be involved with season eight of Castle, with no news yet about his replacement as showrunner.

empire720Empire
Empire is arguably the biggest breakout series of the last year. A Fox show that focuses on a hip-hop music business, it was created by Lee Daniels and Danny Strong. There was big news regarding Daniels this week, with reports that he is writing, directing and executive producing a new music drama pilot for Fox called Star.
Fox was impressed enough by Daniels’ idea to order a pilot based solely on his outline. Fox TV Group chairman and CEO Dana Walden said of Star: “Like Empire, it’s set against the backdrop of the music business but from a different perspective.”

the-fostersThe Fosters
Another ABC Family show, The Fosters follows the lives of the Foster family, consisting of an interracial lesbian couple raising a blended family of biological, adopted and foster children. Now in its third run, it was created by Peter Paige and Bradley Bredeweg, who still write the opening and closing episodes of each season (the rest being penned by a large writing team).
Paige is actually better known as an actor, having appeared in series such as Queer As Folk, Will & Grace, Grey’s Anatomy and Bones. He and Bredeweg teamed up again as writers on Tut, the Spike miniseries, alongside fellow writer Michael Vickerman.

Nashville
ABC’s country music drama was created by Callie Khouri, who won an Academy Award in 1992 for the Thelma & Louise screenplay. Until Nashville, she mostly worked in movies, writing films such as Something to Talk About, Divine Secrets of the Ya-Ya Sisterhood and Mad Money.
Recently Khouri has shared responsibility for key episodes with Dee Johnson, whose many credits include Melrose Place, Commander in Chief and The Good Wife. She was also showrunner on season two of Boss.

Grey’s Anatomy
This long-running ABC series is the creation of Shonda Rhimes – click here for DQ’s in-depth look at the showrunner’s prodco ShondaLand.

blackishBlack-ish
Blackish is a sitcom that centres on an upper-middle-class African-American family. Recently renewed for a second season, it was created by Kenya Barris, whose previous credits include The Game, I Hate My Teenage Daughter and Are We There Yet?.
Current projects in the works from Barris include the movie Barbershop 3 and an untitled ‘girl’s trip’ project for Universal that he will co-write with Tracy Oliver, his partner on Barbershop 3.

izombieiZombie
This CW series was developed by Rob Thomas and Diane Ruggiero-Wright and is based on a comic book series of the same name. Thomas has been writing and creating series in the teen/young-adult space for two decades, with credits including Dawson’s Creek, Veronica Mars and 90210.
Ruggiero-Wright also worked on Veronica Mars and counts Dirty Sexy Money among her credits. iZombie recently secured a second-season pick-up.

Jane the Virgin
Jane the Virgin was created by Jennie Snyder Urman, whose recent credits include Emily Owens MD, 90210 and, a few years back, Gilmore Girls.

youngerYounger
Younger is a TV Land series about a 40-year-old recently divorced mother who gets a makeover and passes herself off as a 26-year-old. Recently commissioned for a second season, it was created by Darren Star, whose credits include Melrose Place, Beverly Hills 90210 and Sex and the City – all of which he also created.

So what can we learn from the tastes of US teenagers? Well, the really inspiring thing to note is the emphatic support for diversity in this mix. Black showrunners, gay showrunners and feminist showrunners all appear in the above list, writing about the widest possible array of characters. The clear message is that US teens are running ahead of the curve in the pursuit of diversity and social equality.

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