In September 2014, Fox in the US introduced a new scripted series set against the backdrop of DC Comics’ Batman mythology. Gotham takes the death of Bruce Wayne (aka Batman)’s parents as its starting point and effectively positions the show as a Batman prequel, with detective James Gordon (later Commissioner Gordon) as its central character and introducing Bruce/Batman as a teenage boy (looked after by a youthful version of manservant Alfred).
The show had a strong start, with the very first episode generating 8.21 million viewers at launch, rising to 14.15 million once the time-shifted audience was factored in. Season one stayed solid until around episode 18, whereupon the live audience dropped to around the 4.5 million mark. This might have been low enough to justify cancellation, but with time-shifted viewing taking the show up to around 7-7.5 million, Fox decided there was enough in the show to give it a second run.
The second season started in September 2015 and drew roughly the same numbers as the end of the first. There has been some further slippage, but the show has settled into a relatively stable pattern. After 14 episodes of a 22-episode run, it is attracting a loyal audience of 4-4.5 million (6.5-7 million after adding in time-shifted viewing).
At this point, Fox has decided to greenlight a third season of the show. Commenting on the decision, Fox Entertainment president David Madden said: “It takes a very special team to tell the tales of Gotham. For the past two seasons, Bruno Heller, Danny Cannon and John Stephens (the chief creatives) have masterfully honoured the mythology of Gotham and brought it to life with depth, emotion and memorable high drama.”
The headline ratings don’t especially justify Fox’s confidence in the show. Airing on Monday nights at 20.00, it is outgunned by The Voice, The Bachelor and Supergirl. However, it does perform strongly among men aged 18 to 49. And it has sold pretty well internationally, with clients including Channel 5 UK, CTV Canada, TVNZ New Zealand and TF1 France (though this is of more significance to Warner Bros, owner of DC Comics, which distributes the show).
Possibly, Fox is hoping that young Bruce’s gradual transformation into the formidable Batman will energise future seasons. Or maybe it is hoping all the current background Batman noise provided by the forthcoming Batman vs Superman movie will help boost Gotham’s performance. Either way, Fox is clearly still committed to the show for the foreseeable future.
An easier call in terms of renewal is AMC’s Better Call Saul, which has just been greenlit for a third season. The Breaking Bad prequel is currently five episodes into its 10-part second season and averaging 2.2 million (same-day ratings). That’s a solid performance for AMC, supported by the fact it is also getting good reviews from critics and audiences. The current IMDb rating of 8.8 puts it at the upper end of new drama.
An enthusiastic AMC president Charlie Collier said: “What (the team) has accomplished with Better Call Saul is truly rare and remarkable. They have taken one of the most iconic, immersive and fan-obsessive (in the best possible way) shows in television history and created a prequel that stands on its own. Watching Jimmy McGill’s thoughtful, melodic and morally flexible transformation into Saul Goodman is entertaining and delighting millions of fans, whether their starting point was Breaking Bad or not. This series has its own feel, pace and sensibility and we can’t wait to see what this incredibly talented group comes up with in season three.”
In another of the week’s standout stories, Italian crime drama Gomorrah has been picked up by AMC’s sister channel SundanceTV for broadcast in the US. Sundance previously acquired the German drama Deutschland 83 – making it a pioneer in bringing foreign-language drama to the US.
The first season of Gomorrah was a surprise hit around the world and the second is due to be launched at MipTV by German distributor Beta Film. Commenting on the pickup, Joel Stillerman, president of original programming and development for AMC and SundanceTV, said his channel “prides itself on presenting distinctive stories from unique points of view, and Gomorrah’s gritty exploration of the Comorra mob families in Naples is no exception.” Other channels to pick up Gomorrah include Sky Germany, HBO Nordic and HBO Latin America.
Last week, much of this column was dedicated to the excellent performance of the BBC’s 2016 drama output. Since then, Happy Valley season two has come to a conclusion with super-strong ratings of 7.5 million (a figure that will rise once time-shifted viewing has been factored in).
On the whole, season two was very good, though not quite as explosive or gripping as season one. The key story arc, which centres on Catherine Cawood, Tommy Lee Royce and Ryan Cawood, seemed to be put on hold for another day, while the resolution of the main criminal case (involving the murders of four women) was relatively understated. There was also a sense that some strands didn’t fully develop (Ann Gallagher’s alcoholism and the trafficking of Eastern European women by a gang, involving another murder).
Nevertheless, Happy Valley is still superior to most things on TV and the audience is now clamouring for a third season. Writer Sally Wainwright has said she would like to pen a third instalment, though didn’t put a timeframe on it.
Elsewhere, Turkish drama continues to be in strong demand around the world. This week Eccho Rights picked up the Aka Film drama Black Heart (Oyunbozan) for global distribution. The series, which will debut in Turkey at the start of April on Show TV, tells the story of a brother seeking justice for the murder of his journalist sister who exposed a powerful media tycoon as a gangster. To get his revenge, the brother enlists an orphaned girl who needs his help in order to save her dying sister.