Tag Archives: Bernard Cornwell

Fiction favourites

Contemporary novelists have featured prominently in our last couple of columns. So in this week’s Writers Room, we take a look at some of the TV industry’s favourite authors when it comes to adapting novels for the small screen.

The only criterion for this list is that the writer is still alive, so that rules out anything involving popular sources such as Henning Mankell, Michael Crichton or Philip K Dick.

George RR Martin
George RR Martin

George RR Martin is the genius who gave us Game of Thrones, a phenomenal work of fantasy that spawned the hit HBO series of the same name. This week it was announced that he is now working with Universal Cable Productions on Wild Cards, a series that is based on another of his mythological worlds. On his personal blog, Martin described the project as “a series of interlocking books, graphic novels, games… but most of all it is a universe, as large and diverse and exciting as the comic book universes of Marvel and DC (though somewhat grittier, and considerably more realistic and more consistent), with an enormous cast of characters.”

Finding You
Finding You

Marc Levy battles it out with Guillaume Musso for the title of best-selling French author (though Levy is currently number one in terms of international sales). Both have had their novels adapted into films but so far only Levy has seen one of his novels adapted for the small screen. The title in question was Finding You, a 2001 work that was adapted for M6 in 2007. The French market’s recent renaissance in TV drama might lead to more book-to-TV adaptations for French authors.

Wolf Hall
Wolf Hall

Hilary Mantel published her first novel in 1985 but it was 2009’s Wolf Hall that really established her in the front rank of contemporary novelists. This book, and its sequel Bring Up the Bodies, was then transformed into an award-winning BBC miniseries. Mantel is currently working on the third book in the Wolf Hall trilogy, which is called The Mirror and the Light. Both her and the BBC are keen for this to be turned into a sequel to the Wolf Hall miniseries. In the meantime, the BBC is developing another Mantel novel called A Place of Greater Safety, which is set during the French Revolution.

The Last Kingdom
The Last Kingdom

Bernard Cornwell’s Sharpe series of novels was adapted for TV in the 1990s and was briefly revived in 2006/2008. All told, it led to 16 TV movie length productions –  all starring Sean Bean. That might have been the last we saw of Cornwell’s work on TV, but in 2015 the BBC and Carnival Films created The Last Kingdom, based on his Saxon Stories. The show has been recommissioned for a second season and has the potential to run for a while, given that Cornwell is just about to publish the 10th book in the series. Cornwell has also written novels about Arthurian Britain, the American Civil War and The Hundred Years War, so don’t rule out another epic TV adaptation from this prolific writer.

Beck
Beck

Maj Sjowall and Per Wahloo, from Sweden, are part of the rich tradition of Nordic crime writers that also includes Jo Nesbø, Stieg Larsson (who died in 2004) and Henning Mankell (who passed away in 2015). Their great creation is detective Martin Beck, the star of 10 novels written between 1965 and 1975 (the year Wahloo died, aged 48). The 10 Beck novels have been adapted numerous times for film and TV and have also spawned TV productions based on the central character. The most recent example was a series of eight TV films that aired on C More across 2015 and 2016. These were picked up by the BBC in the UK and rated pretty well. Sjowall is now 80.

zoo-cbs
Zoo

James Patterson, the world’s best-selling novelist, is working on a true-crime limited series with US cable network Investigation Discovery. However, his novels are also a regular source of inspiration for TV series. CBS’s Zoo, for example, is based on a 2012 novel by Patterson. His books have been used as the basis for TV and film productions since 1991 and include Women’s Murder Club, a series for ABC. In 2015, there was talk this show might be revived by USA Networks. Also on the cards is a CBS legal drama based on his novel Now You See Her. In 2015, another Patterson adaptation, For Justice, was piloted by CBS.

Mukul Deva has been described as India’s answer to Tom Clancy. A former army officer, he has written highly authentic military thrillers such as Lashkar, Salim Must Die, Blowback and Tanzeem. Given the strength of the Bollywood business in India, movie adaptations are most likely to be the first port of call for Deva’s books. Currently, there are plans for Lashkar to be turned into a film by Planman Motion Pictures. “Lashkar started getting offers from Bollywood within days of its release,” said HarperCollins India in a statement. “Deva is a very visual writer and his military background brings a lot of realism to his books. We had been waiting for a filmmaker with the right vision and drive and have full confidence that Planman will make a blockbuster movie.”

Elena Ferrante is a fascinating novelist who has written a number of acclaimed books. Despite being named one of the 100 most influential people on the planet by Time in 2016, no one knows who she is – since Ferrante is a pseudonym. There has been speculation that the author is Italian professor Marcella Marmo, though this has been denied. Two of Ferrante’s novels have been turned into films. However, the big news is that FremantleMedia-owned Wildside and Fandango Productions are turning Ferrante’s Neopolitan Novels into a 32-part TV series.

Flügel der Liebe
Pilcher’s Flügel der Liebe

Rosamunde Pilcher, born in Cornwall in 1924, is a romance writer whose novels are very popular in Germany. Public broadcaster ZDF has responded to this with a huge number of TV adaptations of her work. Starting with Day of the Storm, ZDF has adapted more than 100 of her stories, usually as TV movies. Pilcher, whose works are mainly set in Devon and Cornwall, retired from writing in 2000, but she continues to be popular with German audiences. In fact, a German film crew was in St Ives last spring to film a new story – one of many regular trips German crews make to the UK. Some Pilcher productions are also available via Acorn Media.

Does The Night Manager prove that international coproductions are the way forward for UK drama?
The Night Manager

John Le Carré is not only a giant of contemporary fiction, he is also one of the most adapted novelists ever – possibly only outdone by horror maestro Stephen King. His novels have been made into films pretty consistently for the last 50 years. In TV, he had a purple patch from 1979 to 1991 but then went quiet. This year, however, he came back with a bang as The Night Manager became one of the year’s most talked-about dramas. Now, The Night Manager producer The Ink Factory is planning a TV version of The Spy Who Came In From the Cold. To date, Le Carre’s film count is 10 and his TV series count is five. He has written 23 books, so there is plenty of potential for new stories (or updates of some of the older screen adaptations).

Nermin Bezman wrote bestselling novel Kurt Seyit ve Sura in 1992. A lavish period piece, it was transformed into a TV series for Star TV by Ay Yapim in 2014 and ran for two seasons. Turkey has a rich tradition of novelists, but the best-known living authors (Orhan Pamuk, Selcuk Altun, Elif Safak) are rarely adapted for TV. A key reason for this is that their work is often too politically sensitive for the tastes of Turkey’s TV censors. In general, Turkish broadcasters tend to turn to historical writers like Halit Ziya Usakligil for inspiration. Bezman has written a number of novels, including The Wings of my Mind and The Devil’s Failure.

Cloudstreet
Cloudstreet

Tim Winton burst onto the Australian writing scene in 1981 and has never looked back. Outside Australia, his reputation received a major boost when Dirt Music was shortlisted for the Man Booker Prize in 2001. However, he was already a major success at home thanks to his 1991 novel Cloudstreet, the story of two working-class families rebuilding their lives. Cloudstreet was turned into a TV miniseries in 2011, with Winton writing the script alongside Ellen Fontana. Winton’s children’s books, the Lockie Leonard series, was also adapted by Nine Network. More generally, Winton’s work is adapted for film (Shallows, Breath), though some of his works have also been made as operas.

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A farewell to kings

As HBO says goodbye to Game of Thrones for another year – and edges closer to the show’s end – it’s time for the storied network to look towards life after Westeros.

With the sixth season of Game of Thrones (GoT, pictured top) now concluded, rumours abound that the final two chapters of the fantasy drama may only run to a total of 13 episodes. It’s time for HBO to contemplate life after Westeros.

For HBO (and other channels that air the series, like Sky Atlantic in the UK), the prospect of saying goodbye to such a ratings juggernaut must be daunting, with thoughts of what – if anything – can take its place.

Doubts have been raised about the appeal of some HBO’s upcoming slate of shows. Sci-fi series Westworld and 1970s/80s New York-set porn industry drama The Deuce (from The Wire’s David Simon) should attract high sampling, but others may fall by the wayside.

HBO will have high hopes for forthcoming series Westworld
HBO will have high hopes for forthcoming series Westworld

Succession, about a super-rich dynastic American family, and Somali-American drama Mogadishu, Minnesota could find less traction, as might historical miniseries Lewis & Clark and American Lion (starring Sean Penn as the seventh US president, Andrew Jackson), which might struggle outside the US.

Back in 2008, the UK’s Channel 4 played HBO’s other presidential biopic miniseries, John Adams, to critical praise but few viewers.

For Sky Atlantic, some of HBO’s more US-centric shows – such as public-housing drama Show Me a Hero, Olive Kitteridge, The Brink and the recently cancelled Vinyl – have failed to resonate with viewers.

Political dramas based on real-life events such as Game Change, Too Big To Fail and Recount have also struggled to connect with audiences outside the US, as have biopics You Don’t Know Jack (about assisted-suicide advocate Jack Kervorkian), Temple Grandin (the autistic inventor of the ‘hug box’) and Phil Spector (the famous The Beatles producer now in prison for murder).

So for Sky Atlantic, GoT is an essential part of its long-running deal with HBO, wisely beefed up earlier this year by a similar agreement with Showtime.

Returning to the show itself, its approaching end in 2018 has prompted inevitable speculation about a possible prequel, with two distinct possibilities.

Vinyl has been cancelled after a single season
Vinyl has been cancelled after a single season

Through the visions of the Three-Eyed Crow (played by Max Von Sydow) and other flashbacks, season six has already given us tantalising glimpses of King Robert’s rebellion against the Mad King Aerys Targaryen, including Ned Stark’s epic duel with Ser Arthur Dayne and Jamie Lannister’s slaying of Aerys.

For a GoT fan, the prospect of seeing the young (non-corpulent) Robert Baratheon and his deadly clash with Rhaegar Targaryen at the Ruby Ford must be enticing, as well as earlier incarnations of Tywin Lannister, Stannis Baratheon and Jon Arryn, the latter seen only as a corpse in the series.

Another possibility would be to adapt other work from GoT author George RR Martin. Novella series Tales of Dunk & Egg, set 90 years before the events of the books on which GoT is based, is somewhat lighter in tone. The stories provide further insights into the complicated world of Westeros and how the seeds of rebellion were planted decades before Robert Baratheon began his campaign to oust the Targaryens and avenge the ‘abduction’ of Lyanna Stark.

If so, will current showrunners David Benioff and DB Weiss be heavily involved, or will they take a backseat and explore other, non-Martin projects?

Furthermore, will the success of the show prompt HBO to develop works in similar territory? This is a risky path but one that may be worth treading, despite the inevitable comparisons to GoT.

After all, GoT started well but it only become a phenomenon in season three, a fact that may persuade HBO to persist with the long haul involved in commissioning another serious fantasy show.

Vikings has performed well for History
Vikings has performed well for History

Other networks’ attempts to exploit the success of GoT with dramas of a similar style have had varying levels of success.

History’s Vikings has carved out a distinct identity and proved a ratings winner, but others have paled in comparison, including The Bastard Executioner (FX), Beowulf (ITV/Esquire), The Last Kingdom (BBC2/BBC America), The White Queen (BBC1/STARZ) and ABC’s Of Kings & Prophets – all of which have failed to ignite the same interest as GoT.

Bernard Cornwell, who wrote the books on which The Last Kingdom is based, took a swipe at HBO’s fantasy behemoth in the Radio Times, saying of the show: “This is very, very dull. So they put a lot of naked women behind it all, they’re called ‘sex-planations’ in the trade. My programmes won’t need sex-planations.”

Sky and BBC1 are going back to the fantasy/sword-and-sorcery well, with The Last Dragonslayer and Troy: Fall of a City respectively, but industry expectations are currently not especially high for either show.

Long-gestating plans for a film followed by a TV series adaptation of Stephen King’s popular Dark Tower series of novels have now been abandoned solely in favour of a cycle of movies, with stars including Idris Elba and Matthew McConaughey attached.

There are also a number of serious fantasy novels in development as series; the trick for HBO will be to order something that shares some of GoT’s DNA without being a copycat. Perhaps a fresh take on a known property may do the trick.

Could there be mileage in looking at ‘classics’ of the fantasy genre that could benefit from a new HBO-style spin without the accusations of aping the GoT formula?

Possibly one of Robert E Howard’s characters Conan, Kull and Soloman Kane, or Edgar Rice Burroughs’ John Carter of Mars, which has a legion of fans despite the poorly received 2012 movie adaptation titled John Carter. Maybe even Michael Moorcock’s lesser-known Elric could also get a TV spin.

After all, Elric’s blade is referenced in GoT – when the obnoxious King Joffrey Baratheon is presented with a new sword at his wedding feast, he asks the crowd what should he name it, and someone shouts out “Stormbringer.”

For a more female-skewing audience, Ursula K Le Guin’s Wizard of Earthsea novels, which possess a unique aesthetic, clearly distinguishable from the world of GoT, could be worth a pop. Syfy’s 2005 miniseries did little justice to the books and was quickly forgotten.

To some minds, HBO’s Rome and Starz’s Spartacus acted as trailblazers for GoT – perhaps HBO will return to the apparently shelved remake of I Claudius.

With their dynastic blood-letting, perversion and intrigue, the time may well be ripe for a big-budget take on Robert Graves’ novels.

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