Tag Archives: Berlinale

Stars on show

Television held its own at one of the most prestigious film festivals in the world as an array of talent and some stunning new shows landed in Germany for Berlinale’s fourth annual Drama Series Days. DQ was in town to find out more.

For those in the television industry, the chance to rub shoulders with A-list movie stars might once have seemed a pipe dream. But for anyone who attended the Berlin International Film Festival this week, that dream was very much a reality.

Now in its fourth year, Berlinale’s Drama Series Days has established itself as one of the premier television events around the world as the German capital rolls out the red carpet for stars of the big screen – and small.

To find yourself caught up in a maelstrom of photographers’ flash bulbs and screaming and cheering fans might not be an unusual event at a film festival. But to then peer over the barriers and find the stars of Australian drama Picnic at Hanging Rock posing for the cameras is proof that television is now assured of the same reverence as cinema. And for good reason. The talent the industry is able to attract is of a level never seen before in terms of movie stars signing up for longer-form storytelling. The productions themselves are also worthy of acclaim, with the word ‘cinematic’ a staple adjective regularly dished out to describe the scale of dramas now on screen.

Six-part miniseries Picnic at Hanging Rock stars Natalie Dormer

Picnic at Hanging Rock, which will air on Foxtel in Australia later this year and is distributed by FremantleMedia, is a case in point. Game of Thrones alum Natalie Dormer turns in a standout performance as Hester Appleyard, the headmistress of a girls’ boarding school that faces tragedy when three pupils disappear during a picnic at the titular rock. The series also pops with colour and visual flair thanks to director Larysa Kondracki, making it stand shoulder-to-shoulder with Peter Weir’s celebrated 1975 film adaptation of Joan Lindsay’s novel, which also serves as the source of the television reimagining.

The six-part miniseries – there will be no sequel that goes beyond the book, delegates in Berlin were told – was one of seven screenings that took place as part of the Berlinale Series programme, highlighting some of the biggest new dramas from around the world.

Others included Israeli psychological thriller Sleeping Bears, written and directed by Keren Magalit (Yellow Peppers, The A Word), and Bad Banks. The latter is described as a six-part Machiavellian thriller set in the ruthless world of international finance and the stock market. Produced by Letterbox Filmproduktion and Iris Production for ZDF (Germany) and Arte (France), it has already been picked up by HBO Europe, Walter Presents UK, RTÉ in Ireland, Sundance TV Iberia and RTP in Portugal ahead of its debut next month.

Two new Scandinavian dramas were also selected. Heimebane (Home Ground) tackles gender issues as a female football coach becomes the first woman to take charge of a men’s team in the Norwegian premier league. Already commissioned for a second season by NRK, it stars Ane Dahl Torp and former footballer John Carew, well known to fans in Europe after playing for sides including Valencia and Aston Villa, as well as the Norway national team.

Heimebane is about a female football coach and also features ex-player John Carew (left)

Meanwhile, amid talk of Scandi broadcasters losing interest in what the rest of the world calls Nordic noir, one show is set to push new boundaries at Danish net DR. Known for its original series including Forbrydelsen (The Killing), Borgen and Broen (The Bridge), DR’s forthcoming drama Liberty stands out as something totally different for the channel. It also marks a rare book adaptation to land on the network.

Based on Jakob Ejersbo’s novel, it follows a group of Scandinavian expats living and working in Tanzania, and explores themes of corruption, identity, morals and friendship. Hollywood actor Connie Nielsen joined fellow cast members including Carsten Bjørnlund plus creator Asger Leth and director Mikael Marcimain on the red carpet in Berlin.

The Berlinale official selection was completed by two new US series, showcasing the vast range of storytelling television now affords. The Looming Tower, debuting next month on US streamer Hulu and showcased in Berlin by European partner Amazon, is based on the Pulitzer Prize-winning novel by Lawrence Wright. The story traces the rising threat of Osama Bin Laden and Al-Qaeda in the late 1990s and how the rivalry between the FBI and CIA at that time may have set the path for tragedy on 9/11.

Stars Jeff Daniels, Ali Soufan, Peter Sarsgaard and showrunner Dan Futterman (pictured top) were in Germany to promote the show, which injects reality into a Homeland-style political thriller.

Tobias Menzies (left) and Jared Harris in forthcoming AMC drama The Terror

At the other end of the spectrum, meanwhile, is The Terror, AMC’s take on the true story of the crews of two British Royal Navy ships that attempt to discover the Northwest Passage in the mid-1800s. This isn’t just another historical drama, however. Faced with treacherous conditions, limited resources and a fear of the unknown, the crew members are pushed to the brink of extinction as they face all kinds of dangers, from both human and otherworldly sources.

The mix of horror and the supernatural, coupled with the eerie Arctic landscapes, certainly makes this show one to watch, with co-showrunners David Kajganich and Soo Hugh promising to reward viewers through the 10-part series, which features Jared Harris (Mad Men) and Tobias Menzies (Outlander) among the ensemble cast.

The strength of the drama on show this week in Berlin and the number of small-screen stars descending upon the city were proof of television’s strength at an event usually revered as one of the most prestigious film festivals on the international circuit. With more film talent on both sides of the camera now championing the opportunities offered by longform storytelling, and the chance to develop characters across more than a two-hour period, coupled with television’s new openness to genre and plot, expect to see television play an even greater role in at Berlinale in 2019.

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Previously at Berlinale

Seven more series will take part in this year’s coproduction pitching session at the Berlin Film Festival – but what became of the shows that previously pitched for coproduction partners?

In the increasingly expensive business of television drama, piecing together the financial plan to pay for these shows has become more important than ever.

Since 2015, the Berlin Film Festival has invited TV projects to pitch for coproduction and financing partners at the CoPro Series, part of the Berlinale Coproduction Market.

Ahead of this year’s event, which takes place this week, seven shows have been selected for the exclusive pitching session. They include Freud, from Bavaria Fernsehproduktion and Satel Film (Germany and Austria); Cognition, from Catalyst Global Media and A Better Tomorrow Films (UK and US); Omerta, from Caviar (Belgium); and Metro, from Kelija (France).

The line-up is completed by State of Happiness, from Maipo Film (Norway); Hausen, from Tanuki Films (Bulgaria); and Warrior, which comes from Miso Film (Denmark).

But what has become of the shows that have been pitched in previous years? Here, DQ looks back at some of the series that have taken part to find out what happened next.

Valkyrien centres on a physician’s struggle to save his terminally ill wife

Valkyrien (pitched in 2015)
This Norwegian drama, produced by Tordenfilm, debuted in January on NRK, with 1.2 million viewers watching the first two episodes. It was also picked up by networks in Sweden, Denmark and Finland, and will launch in the UK on Channel 4’s international drama-focused digital platform Walter Presents.
Written and directed by Erik Richter Strand, Valkyrien tells the story of a physician who fakes his terminally ill wife’s death but keeps her secretly alive in an induced coma while he desperately tries to find a cure for her illness. To finance his endeavours, he is forced to make alliances with the criminal world and treat a variety of patients who need to stay off the grid.

Babylon Berlin (2015)
This groundbreaking new German series (pictured top) brings together pay TV giant Sky Deutschland and public broadcaster ARD, as well as coproducers X Filme Creative Pool and Beta Film.
Based on the series of novels by Volker Kutscher, it tells the story of police inspector Gereon Rath (played by Volker Bruch) as he tackles crime in 1920s Berlin – the most exciting city in the world, set between drugs and politics, murder and art, emancipation and extremism.
Currently in post-production, it is due to debut on Sky on October 13 and then on ARD later in 2018. International broadcasters to have acquired the series include Sky UK, Sky Italia, Spain’s Movistar+ and Belgium’s Telenet, as well as SVT Sweden, NRK Norway, DR Denmark, YLE Finland and RUV Iceland.

Tabula Rasa stars Veerle Baetens as Mie

Tabula Rasa (2015)
Produced by Belgium’s Caviar, Tabula Rasa is currently in post-production and is scheduled to debut this October on VRT. It is distributed internationally by ZDF Enterprises.
Starring Veerle Baetens, the show centres on Mie, a young woman locked up in a secure psychiatric hospital. She is visited by detective inspector Wolkers, who is trying to solve a disturbing missing-persons case when it transpires Mie was the last person to be seen with Thomas Spectre before he vanished.
It appears to be a cut-and-dried case for the experienced DI Wolkers – except his only witness is a woman suffering from acute memory loss. In order to solve the puzzle and find Thomas, Mie has to reconstruct her lost memories and find her way back through the dark labyrinth of her past.
Tabula Rasa is written by Malin-Sarah Gozin (Clan) alongside Christophe Dirickx and Baetens.

Das Verschwinden will air on Das Erste later this year

Das Verschwinden (The Vanishing, 2016)
Written by Bernd Lange and Hans-Christian Schmid, this show unfolds in Forstenau, a small town close to the Czech border. When 20-year-old Janine Grabowski (Elisa Schlott) disappears, no one suspects foul play except her mother, Michelle (Julia Jentsch), who is forced to begin the search on her own. But the more she learns about her daughter and her surroundings, the more she wonders how much her own behaviour in the past has helped to create a network of lies and secrets, in which Janine is not the only victim.
Currently in post-production after shooting finished in December, The Vanishing is produced by Germany’s 23/5 Filmproduktion. Since it was pitched at Berlinale, regional German broadcasters ARD Degeto, BR, NDR and SWR have come on board, with the series due to air on national public broadcaster Das Erste later this year. Coproducer Mia Film from the Czech Republic is also attached.

Avrupa (2016)
This drama centres on a flamboyant Turkish family that immigrates to the Netherlands in the 1980s. It follows Osman and Cansu Çelik and their four adolescent children, who each have to find their own way to adulthood, pulled between a seemingly more communal life in spacious and sunny Turkey and an individual, modern existence in the Netherlands.
Written by Sacha Polak and Stienette Bosklopper, it is produced by Circe Films. NTR in the Netherlands and BNN-VARA will broadcast the show.

The Illegal (2016)
From Conquering Lion Pictures and Canadian broadcaster CBC, The Illegal is based on a book by Lawrence Hill and reunites the team behind The Book of Negroes, which was also based on a novel by Hill.
Described as a dystopian story by writer and director Clement Virgo, the novel tells the story of Keita Ali, a refugee compelled to leave his homeland and flee to a nearby wealthy nation – a country engaged in a crackdown on illegal immigrants.
There, Keita becomes a part of the new underground. He learns what it means to live as an illegal: surfacing to earn cash prizes by running local races and assessing whether the people he meets will be kind or turn him in. As the authorities seek to arrest Keita, he strives to elude capture and ransom his sister, who has been kidnapped.
It is currently in its second phase of script development, with shooting scheduled for January 2018.

Wars Inc (2016)
This newsroom-based drama, hailing from Israel’s Drama Team, is currently in development.

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Berlinale opens doors to top TV talent

As its name suggests, feature films are the major focus of the Berlin Film Festival, better known as the Berlinale. But, echoing trends across the global media market, high-end TV drama is also playing an increasingly important role at the event.

There is, for example, a screening showcase called the Berlinale Special Series, during which TV titles from Denmark, the UK, Israel, Australia and the US will be shown. There is also an event called The CoPro Series, during which seven international TV projects searching for coproduction and financing partners will launch.

For this week’s column, we’re taking a closer look at each of the selected projects, focusing on the writing talent involved.

Berlinale Special Series

David Farr
David Farr

The Night Manager is an adaptation of John Le Carre’s spy thriller, starring Hugh Laurie, Tom Hiddleston and Olivia Colman. Set to be broadcast by the BBC in the UK and AMC in the USA, it has been adapted for screen by David Farr, who recently attended the C21 Drama Summit to discuss his approach to the project. Farr has established a strong reputation as a theatre director but has also proved very adept as a screenwriter. His credits include TV series Spooks and the movie Hanna, co-written with Joe Wright.

Nick Hornby
Nick Hornby

Love, Nina is a comedy miniseries for the BBC starring Helena Bonham Carter, Jason Watkins, Joshua McGuire and Faye Marsay. The story is based on the memoirs of Nina Stibbe, a nanny who worked for and encountered some of London’s leading literary figures in the 1980s. It has been adapted by British novelist Nick Hornby (About a Boy, Fever Pitch) and is his first ever TV drama. He says of the project: “Love, Nina has already attained the status of a modern classic, and I am so happy that I’ve been given the opportunity to adapt it. We want to make a series that is as charming, funny and delightful as Nina Stibbe’s glorious book.”

Bob Odenkirk in Better Call Saul
Bob Odenkirk in Better Call Saul

Better Call Saul is a spin-off from the iconic AMC series Breaking Bad. Now moving into season two, it’s the brainchild of Vince Gilligan, who also created Breaking Bad. For season two, he shares the showrunning duties with Peter Gould. Although Gould is not as high profile as Gilligan, he is equally steeped in the series’ mythology, having worked on all five seasons of the parent show and the first season of the spin-off. For his work on Breaking Bad, he was nominated for four Writers Guild of America Awards.

Ryan Griffen
Ryan Griffen

Cleverman is an Australia/New Zealand coproduction based in a dystopian futuristic fantasy world. Due to be broadcast by ABC Australia and SundanceTV in the US, it stars Iain Glen and Frances O’Connor. The original concept for the story is from Ryan Griffen, a relative newcomer to the industry who also co-wrote four out of the series’ six episodes. Other credited writers were Jon Bell, Jonathan Gavin and Michael Miller (six episodes) and Jane Allen (two episodes). Overal,l that’s a pretty potent line-up of Aussie writing talent, with career credits that include Peter Allen: Not the Boy Next Door, Neighbours, The Gods of Wheat Street and Offspring.

Splitting Up Together is the latest drama to come out of Denmark. The TV2 show is described as a serialised character-driven comedy about family, love, sex and happy divorce. The show, which first saw the light of day at last year’s Mipcom, is produced by Happy End and distributed by DR Sales. It is created and written by Mette Heeno, whose previous credits include TV2 comedy series Lærkevej and Lillemand. Prior to that, she spent much of the last decade writing movie scripts (such as Triple Dare).

Sayed Kashua
Sayed Kashua

The Writer is an Israeli series coming out of the prolific Keshet stable. Written by Sayed Kashua, who created award-winning comedy Arab Labor, the 10-part series “observes the reality of a hybrid Israeli-Palestinian existence and the personal and political toll it can take on the individual.” This is a similar theme to Arab Labor, which has so far had four seasons (since debuting in 2007). Kashua earned an international reputation for his previous series, with the New York Times saying: “Kashua has managed to barge through cultural barriers and bring an Arab point of view… into the mainstream of Israeli entertainment.”

CoPro Series

Bosklopper
Stienette Bosklopper

Avrupa is a project from Circe Film in the Netherlands centring on a flamboyant Turkish family that immigrates to the Netherlands in the 1980s. It is written by Sacha Polak and Stienette Bosklopper. To date, Polak’s main credits have been movies (Hemel, Zurich and Vita & Virginia). Bosklopper, meanwhile, is best known as a producer – only turning to screenwriting in the past couple of years. Speaking to Screen Daily, she said: “I had been working with a lot of writers and directors. Somehow, there was an urge to contribute on a different level. To my own amazement, it is going very well. It comes quite naturally and I get the feeling I will continue to do this.”

Brotherhood is a Norwegian crime series for TV2 Norway from Friland Film, a production company best known for feature films. The series, apparently inspired by true events, centres on a police investigator in Oslo who becomes heavily involved in organised crime. His secret links to the underworld are suddenly challenged and the protection he has built around his family starts to fall apart. The eight-part project is being written by Nikolaj Frobenius, whose main writing credits to date are as an author and movie writer. Film credits over the course of the last decade include Pioneer, Sons of Norway and Insomnia, while his books have been translated into 18 languages.

Torleif Hoppe
Torleif Hoppe

DNA is a Danish crime show produced by Eyeworks Scandi Fiction and written by author and creator Torleif Hoppe. Hoppe’s main claim to fame is his involvement in The Killing, of which he wrote 20 episodes. Aside from DNA, he is also working with Buccaneer Media, BBC America and AMC on Moths, a thriller set in Japan.

Anders August
Anders August

Lucky Per is a Nordisk Film Production for TV2 Denmark, based on a famous book written at the start of the 20th century. The four-part miniseries will be adapted for the screen by Bille August and his son Anders. It is scheduled to go into production this summer, with delivery at the end of 2017. DR Sales is handling distribution. Anders August established himself as a film and TV writer at the start of the current decade and has gone on to bigger and bigger projects. Recent credits include The Legacy and Follow the Money for DR. There have also been reports that BBC America and AMC are developing a show created by the younger August. Deadline called the BBC/AMC project “an untitled comic-noir thriller set in a 1950s resort (that) follows the social climbing of a disarming young woman who turns out to be a dangerous sociopath.”

The Disappearance is a new project from highly rated writer/director Hans-Christian Schmid. Primarily a movie maker, his credits include Home for the Weekend, which competed at the 2012 Berlinale.

Clement Virgo
Clement Virgo

The Illegal is a new project from Clement Virgo, the director of The Book of Negroes. It’s based on a book by Lawrence Hill, who also wrote The Book of Negroes. Virgo’s new project, which is being produced through his company Conquering Lion Pictures, is a dystopian story set in the near future. It follows the journey of Keita Ali, a young marathon runner who flees his repressive native home and finds himself in a community of undocumented refugees living in a wealthy country. Virgo and Hill co-wrote the TV version of The Book of Negroes so it’s likely they will adopt a similar approach this time.

Wars Inc, produced by Drama Team, is described as an Israeli newsroom-based drama. Unfortunately there isn’t any additional information on the project right now, so you’ll have to wait until the Berlinale pitch to find out more about this one.

The CoPro Series will give producers and financiers the chance to get to know the series’ creators at a networking get-together following their pitch, and arrange one-on-one meetings to discuss potential partnerships. The full programme was designed in conjunction with Peter Nadermann (Nadcon, Germany) and Jan de Clercq (Lumière Publishing, Belgium).

The BBC's Doctor Who
The BBC’s Doctor Who

In other writer news, Steven Moffat has announced that season 10 of Doctor Who will be his last as showrunner. His final season will air on BBC1 in 2017 before he is replaced by Chris Chibnall, whose credits include Broadchurch, The Great Train Robbery and Life on Mars.

Moffat said: “While Chris is doing his last run of Broadchurch, I’ll be finishing up on the best job in the universe and keeping the Tardis warm for him. It took a lot of gin and tonic to talk him into this, but I am delighted that one of the true stars of British TV drama will be taking the Time Lord even further into the future.”

Chibnall called Doctor Who “the ultimate BBC programme: bold, unique, vastly entertaining and adored all around the world. So it’s a privilege and a joy to be the next curator of this funny, scary and emotional family drama. Steven’s achieved the impossible by continually expanding Doctor Who’s creative ambition while growing its global popularity. He’s been a dazzling and daring showrunner, and hearing his plans and stories for 2017, it’s clear he’ll be going out with a bang. Just to make my life difficult.”

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