Tag Archives: Amanda Redman

A dose of Karma

British India-set medical drama The Good Karma Hospital returns for a second season as the eclectic cast of characters face new challenges in their professional and personal lives. DQ goes behind the scenes on location in Sri Lanka.

Setting a feel-good drama in a sun-soaked paradise has proven a fruitful formula for British TV makers. It’s been deployed with success in series from Death in Paradise and The Durrells to Wild at Heart, The No 1 Ladies’ Detective Agency and even Doc Martin.

Most recently it’s been a winner for ITV’s The Good Karma Hospital, which is back this month for a second season. Good Karma’s USP is that it’s a medical drama that offsets its palm-fringed backdrop with emotional stories from a run-down rural Indian hospital. There’s added comfort for viewers in finding familiar faces stationed in this exotic destination, including Amanda Redman and Neil Morrissey.

Set in Kerala in southern India, Good Karma is actually filmed in Unawatuna on Sri Lanka’s west coast to avoid India’s monsoon season. It’s based on the experiences of writer Dan Sefton, who also pens Sky 1’s Delicious and was the man behind last year’s Trust Me with Jodie Whittaker, recently renewed for a second season by BBC1. Accident and emergency doctor Sefton – currently taking a hiatus from medicine due to his writing workload – got the idea from working in a cash-strapped cottage hospital in South Africa after qualifying as a doctor.

The Good Karma Hospital stars Amanda Redman (left) and Amrita Acharia

DQ is visiting the stiflingly hot set of the drama at the dilapidated Amarasooriya Teachers Training College, which has been taken over for filming. Though set on a busy main road, it’s surrounded by large gardens that bring a blast of colour to the screen, and on which sits a charming open-air shack that serves as the doctors’ café. Off-camera, it’s a different story: dozens of extras mill about, crew members carry cables and lights, and there’s a queue for the food service truck’s fresh coconuts. Ask for one and the man behind the counter takes a machete, whacks the top off a coconut and sticks a straw in it – not a common sight at British craft service tables.

Redman is a regular customer. “I find the best way to deal with the heat and humidity is to keep still and drink coconut water,” says the actor, who works inside the college in temperatures that regularly reach 40°C. “Between scenes I’ll just sit with my coconut water and a fan on my face.”

Redman is Good Karma’s biggest name, playing the outspoken Dr Lydia Fonseca, an ex-pat surgeon with a big heart and brusque manner. Redman is a fixture of British TV, having starred in At Home with the Braithwaites, Mike Bassett: England Manager and New Tricks, and the no-nonsense Fonseca is a character close to her heart. “I love her passion and her warmth,” says Redman. “She says it like it is, which, in an increasingly PC world, is very refreshing.”

Rounding out Fonseca’s staff is handsome-but-surly Dr Gabriel Varma (James Krishna Floyd), Nurse Mari Rodriguez (Nimmi Harasgama) and Anglo-Indian Dr Ruby Walker (Amrita Acharia).

Neil Morrissey plays Greg, who owns the local beach bar

As Greg McConnell, Fonseca’s long-term boyfriend, Morrissey has lucked out – his character owns the local beach bar, which means the bulk of his scenes are played out in an open-air set cooled by Indian Ocean breezes.

Season one dealt with Walker’s impetuous decision to leave her NHS job and emigrate to India, only to find herself at Fonseca’s cash-strapped hospital. To avoid a sophomore slump, Sefton and producers Tiger Aspect had to find new storylines for season two, which begins in the UK this Sunday. Adding to the difficulty of their task was the fact that a major character, Maggie Smart (played by Downton Abbey’s Phyllis Logan), died at the end of season one.

“One of the big decisions we made was not to bring in any new regulars,” explains executive producer Lucy Bedford. “What we felt when reflecting on season one is that we had this amazing core cast, and that the nature of show meant we didn’t get to know them as well as we should have.

“So, along with our robust stories of the week, we also wanted to give a bit of space to the serial elements of the show, with all the characters going on big journeys.” Dr Walker will explore her Indian heritage and Dr Fonseca her inability to commit, while McConnell helps Maggie’s widower, Paul (Phillip Jackson), through his grief.

To ensure the exotic setting remains eye-catching, new filming locations were found for the series, which is distributed globally by Endemol Shine International. Dr Walker has been moved away from her cottage in the rice fields into an urban flat in fictional Barco – filmed in Weligama, a half-hour drive down the coast. “We did it to keep evolving the visual palette of the show and to give Ruby a different connection to the world, because she’s not a tourist anymore,” explains Bedford.

James Krishna Floyd as Dr Gabriel Varma

Episodes three and four are set on a lush tea plantation (three different plantations were used) and the final episode features a full-scale Indian wedding with all the regulars in traditional dress. Another big set piece sees Dr Fonseca visit her former medical mentor (played by British stalwart Sue Johnston) on her houseboat, built on a private jetty on nearby Koggala Lake.

The benefit of shooting in Sri Lanka is the low cost of labour and materials that enabled the production to mount big set pieces. For starters, up to 300 extras per day could be hired and clothed, as opposed to 20 to 30 per day in the UK. “The production side is one of the great gifts about shooting out there,” explains Bedford. “Because construction is cheap, we were able to mount these sets we wouldn’t normally be able to. The art department built a full-sized replica Keralan houseboat for the finale, so we could tell an emotional story but in a stunning setting.”

The downsides to filming in the country, says Bedford, are that vehicle hire can be expensive and certain equipment is unavailable – a portable ultrasound machine had to be flown from in the UK. A few actors went down with stomach troubles, and a serious outbreak of dengue fever – a potentially fatal mosquito-borne disease – in Sri Lanka saw two crew members admitted to hospital.

But the benefits of filming in such an alien locale outweigh the drawbacks. Over drinks at their hotel, the actors enthuse and laugh about their encounters with Sri Lanka’s wildlife. Morrissey flashes photos he took of a snake that slithered into his hotel’s lounge and Acharia recounts how she found a scorpion nestled inside her yoga mat. Redman spotted a crocodile in Koggala Lake, though from a safe distance – the houseboat she filmed in had safety nets around it.

Bedford, Sefton and their team are busy working on storylines for Good Karma’s third season, should it be recommissioned. Along with developing the characters’ personal lives, they conduct meticulous research into relevant medical storylines reflecting Indian culture in a bid to provide an engrossing hour of television that has a satisfying emotional payoff but remains upbeat.

Morrissey describes his take on Good Karma’s selling point: “When you’ve got those vistas of Sri Lanka on your 55-inch Samsung, there’s a feelgood factor. At the same time, we show people having serious issues, and it’s good to know that people in far-flung places are having the same problems as you are having at home.”

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Hard lines: Ray Winstone on The Trials of Jimmy Rose

Ray Winstone tells Michael Pickard about his new ITV show – a drama in which he plays a career criminal who learns the heavy price of his life of crime.

From criminals to gangsters, Ray Winstone has earned a reputation for playing the hard man.

And so he appears again in his latest television role, in which he plays a notorious armed robber who has made crime pay. Only this time, the story is one of redemption and reconciliation as his character learns the true cost of his actions.

In ITV’s forthcoming series The Trials of Jimmy Rose, Winstone plays the titular character who, during his latest stretch in prison, finds his family have moved on.

His wife is not sure she still loves him, while his son has cut him out of his life. So when he’s released and not greeted with a warm welcome, can he put finally put his criminal life behind him?

Winstone was attracted by the prospect of working with director Adrian Shergold
Winstone was attracted by the prospect of working with director Adrian Shergold

The three-part series, produced by ITV Studios and GroupM Entertainment, was written by creator Alan Whiting and Dom Shaw. Jane Dauncey is the producer and Adrian Shergold (Lucan, Mad Dogs, Dirty Filthy Love) is the director. The executive producers are Kieran Roberts and Melanie Darlaston.

Roberts describes the drama as a “warm, funny and compelling drama about a man with a criminal past who has to prove to his wife and family that it’s never too late to start over.”

Winstone says he became involved in the series through Shergold, with whom he has worked on several occasions. “ITV approached him and he came to me with the idea,” Winstone recalls. “Once they say, ‘He’s a guy coming out of prison,’ I go, ‘Oh, hold on.’ But then you read the script and you see it’s not actually about that. It’s about family.

“It’s about what a man does to a family when he’s banged up for 12 years. He destroys them. He loses his kids. They’re growing up in a world that’s changing but he’s not. He’s standing in the same place. His wife Jackie’s world has changed. His kids’ world has changed. And he hasn’t been there to protect them.”

Winstone can empathise with Jimmy’s desire to protect his family. “It’s my way of living. It’s where I come from,” he says. “And where our age group comes from. You have a responsibility and a morality to look after your own and to deal with it yourself. We never used to call the police. If there’s a silly argument today, someone calls the police.

“Years ago, it was dealt with. Not necessarily in a fight. But in a row someone said their piece and they went in and looked you in the eye and you said what you had to say. I just think those days (in the UK) have gone. Everything’s become very PC. Everything’s become almost like America – ‘You touch me, I sue you.’ Years ago, if someone was out of line they got a clump and that was it. Forgotten about.”

But on the subject of his reputation as a hard-man actor, the Londoner adds: “I’d like (to be known as) ‘Handsome actor… most attractive actor. Adonis actor Ray Winstone.’”

However, unlike his character Jimmy, who is told by his wife that he “never knew when to quit,” Winstone says he will know when it’s time to step away from the screen.

The three-parter was produced by ITV Studios and GroupM Entertainment
The three-parter was produced by ITV Studios and GroupM Entertainment

“I think about it all the time and then something great comes along that you want to do,” he says. “I’m not in a position to retire at the moment. We all have to pay our tax – we all have bills to pay. And I still enjoy doing what I do. But I’d probably much rather be sitting on a beach or lying on a sun lounger somewhere hot.

“Wouldn’t it be a perfect scenario where you haven’t got to work and then something comes along and you say, ‘Do you know what? I’d love to do that. I will do that.’”

Part of the role’s appeal to Winstone was the chance to appear alongside actress Amanda Redman (pictured top with Winstone), who plays Jimmy’s wife, Jackie. The relationship is not a new one for the pair – they also played screen spouses in the 2000 crime film Sexy Beast.

“I love her to death,” Winstone says. “I’ve worked with her a few times now. I don’t know whether ‘underrated’ is the right word (to describe Redman) because she’s not underrated by people within the profession. She’s up there with the best actresses who have ever come out of this country, and I know that from working opposite her.

“I’m a friend of hers, so I’m a bit biased anyway. But she’s never failed to deliver in anything she’s done.”

Like Winstone, Redman was drawn to the series through Shergold, with whom she says she had always wanted to work. “That is the reason I took the role,” she explains. “I knew in the hands of someone like Adrian it would be fabulous. And, indeed, he was just so fantastic to work with. He is extraordinary.

“Adrian was an actor and is so unusual in his approach. He’s not like any other director I’ve worked with at all. We did a lot of improvising. It’s a completely different way of working. He demands a lot of his actors, which I already knew. I have adored watching his stuff. So when they said Adrian Shergold was directing it, that was a no-brainer.”

Redman’s close relationship with Winstone – the pair have known each other since they were in their 20s – also meant the set felt like a “real family,” she adds.

However, looking at the wider television industry, Redman believes there’s a problem in terms of roles for older women.

The star, who previously appeared in long-running BBC1 drama New Tricks, says: “I’ve been saying it for a very long time. There aren’t enough good roles for women in their 50s. If that were the same for male actors then you’d just have to go, ‘Well, that’s life.’ But it isn’t. And therefore it’s insidious sexism and it makes my blood boil.

“The truth is there just aren’t roles written for women in their 50s. And there are quite a few of us. So, consequently, there are not enough to go around. (Talking about the issue) is labelled as whingeing – but why is it whingeing when all you are doing is defending your right to work? Why is it wrong to say that the issue needs to be redressed?”

As for her next move, Redman says she has “no idea what I’m doing next because nothing has been sent to me that I want to do.”

She adds: “Until something comes along that I want to do, I don’t see why I should work just for the sake of it. I never have done, so I’m not going to do it now. Life’s way too short.”

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