Articles about ABC
Aftertaste creators Julie De Fina and Matt Bate reveal how the #MeToo movement shaped this story of a bad-tempered celebrity chef looking to rebuild his reputation with the help of his young niece.
Creator Kristen Dunphy and executive producer Jason Burrows discuss overcoming the challenges of making Australian drama Wakefield, which explore the fine line between sanity and madness with a complex story set in a psychiatric hospital.
Operation Buffalo writer and director Peter Duncan tells DQ how he mixed authentic detail with satirical humour to dramatise the true story of British nuclear testing in South Australia.
Mystery Road producer Greer Simpkin and season two director Warwick Thornton discuss the show’s expansion from the movies that inspired it and how it blends traditional western tropes with the Australian outback.
Stumptown showrunner Jason Richman takes DQ inside the making of the ABC series, recalling how the original graphic novel was adapted for television and revealing how Marvel star Cobie Smulders was cast as lead character Dex Parios.
Hollywood star Cate Blanchett discusses the six-year journey to bring Australian drama Stateless to the screen and explains why more broadcasters need to open up to this type of ‘elephant in the room’ storytelling.
Exec producers Curtis ‘50 Cent’ Jackson and Doug Robinson introduce ABC legal drama For Life, based on the true story of a prisoner who becomes a lawyer for other inmates while fighting to overturn his own life sentence.
British actor Freddie Highmore made his name in feature films and as a young Norman Bates in Psycho prequel series Bates Motel. He explains why his starring role in ABC medical drama The Good Doctor is his biggest challenge yet.
Ahead of the world premiere of Total Control, star and executive producer Rachel Griffiths takes DQ inside the themes and issues behind the Australian political drama.
Australian literary hero Les Norton comes to television in an adaptation of the cult books by Robert G Barrett. DQ hears how the source material has been updated for modern audiences while recreating the style and character of 1980s Sydney.
Warren Clarke, showrunner of Australian ensemble drama The Heights, discusses the making of this series set in a housing tower and the challenges of launching a serial drama.
The creators of Screentime miniseries Pine Gap reveal how they recreated the eponymous Australian/US defence base and explain why it makes the perfect backdrop for drama.
Castle star Nathan Fillion and showrunner Alexi Hawley reunite in ABC drama The Rookie. They tell DQ about creating a series that aims to break the formula of network cop series.
Lisa Edelstein, the star of Girlfriends’ Guide to Divorce, reunites with House showrunner David Shore as she joins the cast of ABC hospital drama The Good Doctor for its second season. She tells DQ about joining the hit series, playing another medic and becoming a writer.
Castle star Nathan Fillion returns to US network ABC with The Rookie, the story of the LAPD’s oldest new recruit. He and showrunner Alexi Hawley introduce the series, discuss the ensemble of characters and explain why it will appeal to a wide audience.
Whiskey Cavalier creator Bill Lawrence discusses the origins of ABC’s new hour-long action comedy drama, his big-screen inspirations – and what prompted his decision to film the show in Europe.
Castle exec producers Terri Edda Miller and Andrew W Marlowe return to TV with Take Two, a crime drama that sees an actor pair up with a PI. The duo tell DQ about the international route they took to bring the series to air and why procedural dramas still have a place on screen.
Procedural series were once the bread and butter of US broadcast networks. But international buyers are finding them harder to come by amid the appetite for increasingly serialised storytelling. DQ examines the future of the story-of-the-week format.
The television landscape is awash with series set in alternative – and not particularly bright – futures. Stephen Arnell casts his eye over the dystopian series on screen, and also finds sci-fi series with a more optimistic outlook.