Soccer consultant Philippe Fallu tells DQ about creating match sequences for Canadian broadcaster CBC’s football-themed series 21 Thunder, which follows the drama surrounding the young players of the fictional Montreal Thunder on and off the pitch.
It was an amazing experience for me. I’ve been coaching for more than 20 years and building soccer scenes for 22 players at the same time was a big challenge.
It wasn’t always easy; it was very stressful sometimes but it went pretty well and I was lucky to work with some amazing people.
The TV show was like preparing and coaching four movies. I had two great assistants working with me and I was helped a lot by the directors, especially Jim Donovan, the first director I worked with. All the crew were amazing.
I got the scripts for the first three episodes and three days later I met with the production team to do extra casting. I also had meetings with the writers and directors, where we started to build the scenes. I would draw up some ideas and, at the meeting, I would propose everything and talk with the directors, producers and writers and we would decide if it would work. There was also a camera coordinator there who would give their view on where to put different kinds of cameras. So we had a lot of meetings about the way it would work and who was going to do what.
It was a big challenge because while most of the actors were good soccer players, some of them were not that experienced, so we had to manage that. But they were all pretty good athletes, especially the goalkeeper, played by Andres Joseph. He had no soccer background but we would work in a park for hours doing goalkeeping drills. It was pretty impressive to work with them all.
The speed was a big issue [during rehearsals] because as a coach, you always want to protect your players and avoid any injuries but with this kind of work you can’t even have one injury. If you get one of your actors injured, the show can’t go on. So it was very important to do the rehearsals at 50% or 60% speed and then to slowly increase the pace. We also had to control the intensity because some of the extras who, naturally, wanted to show they were good players sometimes went in [for tackles] too hard or too fast.
It was tough to recreate the sequences but it went surprisingly well. When I was sitting in meetings and drawing up certain scenes, I remember Jim would ask me, “Is this going to work?” But it went pretty well. I took all my inspiration from the soccer I watch on TV, from Serie A (Italy) and La Liga (Spain) to the Premier League (UK). You always want to include something exciting because it’s a TV show, but we had to keep in mind that on shooting days, we had to make it happen.
The first episode sees Thunder’s new signing, Junior Lolo (played by Emmanuel Kabongo), score a last-minute goal from 45 yards to win their first game. That was an exciting and difficult action scene to practice and shoot. That day we had the wind in our face in the direction we wanted to score the goal. The ball went over the goal and beside it. The actor tried to make the right shot as many times as he could, maybe for two hours. Eventually Jim asked me if I thought the actor could make it, and I said I didn’t think so, so we used a throwing machine.
You want to keep it realistic – you don’t want it to be too amazing. As I was told by the directors, it’s a TV show so the bottom line is you’re going to have real soccer fans knowing what it should look like. The principal thing was to make sure we didn’t repeat the same kind of actions. It was a big puzzle but there was great teamwork and I’d do it again any time.
Canadian drama 21 Thunder charts the fortunes of the players and staff at a Montreal football team, both on and off the pitch. DQ chats to co-creator and writer Riley Adams about tackling a sports drama.
Sports dramas have had a chequered history on the small screen, from the success of acclaimed series Friday Night Lights and recent Netflix arrival GLOW to one-and-done entries including baseball series Pitch and horse racing-focused Luck.
Yet of all the sports to have been dramatised for a scripted series, it seems soccer, in particular, has had more ups and downs than an average penalty shootout. British series over the years have included Playing the Field, Dream Team and, perhaps with more attention paid off the pitch than on it, Footballers’ Wives.
Netflix recently entered the field with Mexican drama Club de Cuervos, about a brother and sister who battle high expectations and each other after they inherit a football club.
Now Canada has joined the fray with 21 Thunder, which follows the fortunes of the players and coaches of an under-21s soccer team, one step away from the pros.
The project, from PMA Productions and Generic Productions, was conceived more than three years ago when co-creator Riley Adams (Flashpoint, Crossing the Rubicon) was pitched the idea for the series by fellow executive producers Kenneth Hirsch and Adrian Wills. Broadcaster CBC was already on board.
“I loved the idea of that kind of sports show with a tougher edge and kids who hadn’t quite got there yet,” Adams says of the Montreal-set drama, which is distributed internationally by Content Media. “They could be the next Ronaldo, but what kind of pressure does that bring from agents, family members and coaches, and how do they deal with that when they’re still children in many ways?
“I also liked the idea of the whole world coming to Montreal, telling an outward-looking story. Maybe some sports dramas in the past have been insular, about smaller communities, which is fascinating in its own right, but I liked the idea of a show where you have kids from all over the world coming to one place and having to figure that place out and be in competition with each other. But they also have to come together as a family to survive in this place with all its temptations, dangers and pleasures.”
Episode one, which debuted on Monday, opens at the beginning of a new season. New coaches Christy Cook, played by Stephanie Bennett, and former soccer superstar (ex-Scottish professional Ryan Pierce) are introduced to the squad, while brilliant Ivory Coast signing Junior Lolo (Emmanuel Kabongo) joins his teammates, including star striker and former gang member Nolan Gallard (RJ Fetherstonhaugh) and goalkeeper and captain Alex el Haddadi (Andres Joseph).
Working with Hirsch and Wills, Adams was brought in to help draw the characters and develop storylines that could be woven through the first season, with individual episodes also featuring segments of match action as the team progresses through their fixture list.
For one story, Adams took inspiration from a real-life match-fixing case in Quebec in 2012. “The guys who play at this level are also much more susceptible to bribery because they’re not making much money yet,” he explains. “We’ve woven that together with a story based on another trust story about a young basketball star from Toronto who got this wonderful academic scholarship to a big college in the US. But when he came back to visit, he went out with his friends and they got into it with some rivals in their neighbourhood and someone got killed.
“This young star player ended up in the getaway car and being arrested a few blocks from this murder. His whole life was gone in the blink of an eye. That was an interesting way to explore how these kids who carry their pasts wherever they go and sometimes they rear up and try to pull them back into whatever place they managed to get out of.”
The creative team, which also includes showrunner Malcolm MacRury, leaned on former professional players for help with their research, while Adams was able to recall the time he spent some of his 20s living in Barcelona and becoming a “fanatical convert” to the sport. “I didn’t have a soccer outlet back in North America so it was a real treat to delve into that world and my own passion for the game and try to bring that to the show,” he says.
Casting proved to be one of 21 Thunder’s biggest challenges, as actors also had to be adequately skilled at playing football to ensure the show looked authentic and the producers could avoid using doubles as much as possible. Often, Riley says, they would find a good actor but would then await the “moment of truth” when they saw the auditionee’s soccer tape.
“When the tape came through and they could play, there was high-fiving and cheering in the producers’ room because we knew it was going to help make the show so much better if our stars could really pass a ball around, shoot and run,” Adams reveals. “Emmanuel, who plays Junior, is a wonderful soccer player. RJ is fantastic on the ball too. Andres, the goalie, is good, and we had Ryan Pierce, who is a former Scottish pro soccer player we found who turned out to be a huge boon. He became an unofficial consultant to the show, whenever we had soccer problems. He was very generous and excited about helping.”
Inevitably, much of the discussion turned to how the show would look once the action transferred to the pitch, with coaches including former player Philippe Fallu helping to choreograph Adams’ scripts.
“He would help us break it down into beats and then we’d sit down with the director and cinematographer, Jim Donovan and Mario Janelle [respectively], and they would try to figure out how we shoot it,” Adams explains. “Hopefully people who are longtime soccer lovers will see what we’ve done and appreciate that. It looks good on the field, which was important for us. It took some practice to figure out how to do it the most efficient way possible and, as the season evolves, that stuff also works better and better on camera on the field.”
The city of Montreal features heavily throughout the series, with filming taking place at locations including Saputo Stadium, home of MLS side Montreal Impact. “It becomes a symbol of what these kids are aiming for, so we needed a few shots of the big house to understand what the objective of these young guys was,” Adams says. “We also wanted to feature Montreal as the wonderful, sexy and exciting place it is. It was more complicated sometimes to get into all the neighbourhoods and be on location all the time but I think it really paid off on the show. It feels real and, like the soccer, we wanted people to come away with the feeling they were watching something real.”
Ultimately, Adams says viewers shouldn’t be turned off by its soccer setting, as the club, its players and coaching staff set up storylines about family, crime and a mystery strand involving the team’s new star signing.
“I think people are really going to be taken by the characters and you don’t have to be a soccer fan to enjoy this,” he concludes. “There’s going to be storylines for everyone.”