German writers raise their game
Germany’s leading broadcasters have always spent heavily on TV drama. But until recently there was a feeling that their work was too domestic in character to travel.
Shows like Generation War and Deutschland 83 have changed that perception. This week, we shine a light on the writers who are driving Germany’s TV exports.
Stefan Kolditz studied theatre in Berlin then taught in universities until 2002. Throughout the 1980s and 1990s, he wrote numerous projects for theatre, film and television. After honing his TV skills with classic German dramas such as Tatort and Polizeiruf 110, he had a major breakthrough in 2014 with the UFA/ZDF miniseries Unsere Mütter, unsere Väter (Generation War). He followed this with an acclaimed adaptation of Bruno Aptiz’s classic novel Naked among Wolves, which aired on ARD and is distributed internationally by Global Screen. More recent projects include the film biopic Paula and TV movies for pubcasters ZDF (Ein Mann Unter Verdacht) and ARD (Mutter Reicht’s Jetzt). He has also managed to fit in two new episodes of Tatort.
Annette Hess studied playwriting in the 1990s in Berlin and then worked at ARD in various executive roles. Her life as a screenwriter began in earnest at the start of the last decade, with TV movie credits for her previous employer. Like Kolditz, she cut her teeth on long-running scripted franchises like SOKO (Cologne) and Polizeiruf 110. However, the big turning point came in 2010 with the acclaimed drama series Weissensee, which has now run for three seasons (one every two years). Since then, she has had another big hit with Ku’damm 56, a ZDF series about female emancipation in the 1950s. The UFA-produced show was good enough to secure a follow up called Ku’damm 59, which is now in the works. In 2016, Hess also wrote episodes of Der Kommissar Und Das Meer, a ZDF crime series that has been running since 2007.
Philipp Jessen is a new voice to TV having previously worked as the editor of online newspaper service Stern.de. His TV debut came in 2016 with Giftschrank, which has been described as a cross between House of Cards and Kir Royal. The series, which in English translates roughly as Poison Cabinet, goes behind the scenes at a glossy tabloid-style magazine. Joachim Kosack, producer and MD at UFA Fiction, said of the show: “I have rarely seen a script that is so captivating from the first to the last page. Giftschrank gives a fascinating insight into tabloid journalism. High tension is not only the inner view, but also the ever-recurring question of morality in journalism. You get a sense of how editorial works. It is sharp, entertaining and wise.”
Joerg & Anna Winger burst onto the scene with Deutschland 83, a Cold War drama that aired on RTL in Germany and has attracted a lot of attention internationally. The two are now working on a sequel called Deutschland 86, which will premiere exclusively on Amazon Prime Video in Germany in 2018 before airing on RTL. Anna Winger is actually from the US, making her part of a growing trend for foreign writers to get involved in German series (others include Paula Milne and Rachael Turk). She is also developing a series for BBC America set in contemporary Berlin.
Dorothee Schön grew up in Bonn then studied film in Munich. She has written a number of TV movies and is another to have contributed to the Tatort juggernaut. After two decades working on TV movies, her next big project is a UFA-produced miniseries for ARD called Charité. A six-parter, the show tells the story of Berlin’s legendary Charité hospital, which many credit with inventing modern medical research. Schon is also lined up to write a miniseries for UFA called The Porsche Saga, which is based on a book about the car manufacturer by Stefan Aust and Thomas Ammann.
Tom Tykwer is writing Babylon Berlin with Hendrik Handleoegten and Achim Von Borries for a 2017 launch on Sky Deutschland. The lavish period piece will focus on life in 1920s Berlin. Writer/director Tykwer is best known for his movies, which include Run Lola Run, Perfume and Cloud Atlas. It’s not clear yet whether this is the start of a career in TV or a one-off project.
Christoph Silber wrote Rivals Forever – The Sneaker Battle, a period piece about the rivalry between Adi and Rudi Dassler, the founders of Adidas and Puma. A British-German producer, director and writer based in LA, Silber has been working across film and TV since the start of the last decade. Like many of his counterparts, he has written episodes of Tatort. Among his better-known TV movies is Das Wunder von Kärnten (written with Thorsten Wettcke), which tells the true story of a three-year-old girl from Austria, who fell into the lake behind her parents’ house in 1998 and had been underwater for 30 minutes before being found. A young cardiovascular surgeon takes up the seemingly hopeless fight for the young girl’s life, and remarkably saves her. More recently, Silber has been working on the miniseries Honigfrauen, which will see the light of day on ZDF in 2017. Set in 1986, it tells the story of two young women who go on holiday to Hungary’s Lake Balaton from East Germany.
Rolf Basedow is one of a team of writers who scripted Beta Film’s NSU Germany History X, a series about far-right German nationalists produced this year. Active in the TV business since the 1970s, he has contributed to dramas like Tatort and has also written series such as Sperling and the acclaimed 10-part series Im Angesicht des Verbrechens (2010), which looked at the interplay of police and gangsters in Berlin. Following NSU, he is back to writing TV movies including Zielfahnder: Flucht in die Karpaten.
Jan Berger had a major international hit with The Physician, which was directed by Philipp Stolzl. The Berger/Stolzl combination has subsequently come to be regarded as something of a dream ticket. The pair reteamed for Beta Film’s updated version of western adventure Winnetou and are also working with UFA Fiction on a TV biopic of magicians Siegfried and Roy.
Niki Stein and Hark Bohm are writing Hitler, a high-end drama series from Beta Film that will air on RTL and has been sold to French broadcaster TF1. The 10-hour event series is based on the biography Hitler’s First War by the internationally renowned historian Thomas Weber and will “shed an unprecedented light on the most closely examined figure of modern history,” according to Beta Film. Stein (pictured), another Tatort alumnus, has written numerous TV movies. One of his best-known works is the 2012 TV movie Rommel, about the famed Second World War general. The film attracted controversy, so it will be interesting to see how Stein handles this subject.
Marc Terjung and Benedikt Gollhardt created the hit Sat1 comedy series Danni Lowinski, about a hairdresser who becomes an unconventional lawyer. The German series ran for five seasons and spawned a Dutch adaptation. Terjung (pictured) also created comedy series Edel & Starck and has written for SOKO. After working on legal dramedy Danni Lowinski, he wrote Josephine Klick – Allein Unter Cops, about a female police officer who moves from a small town to Berlin, whereupon she encounters resistance from her new colleagues.
Jantje Friese recently secured the job of writing Dark, Netflix’s first German original series. The 10-part show, directed by Baran bo Odar, is set in a German town where the disappearance of two children exposes the double lives and fractured relationships among four families. Friese studied in Munich then started her career as a commercials director. Subsequently she went into production and writing. Together with Odar, she wrote the film Who Am I?, a well-received political/cyber thriller.
tagged in: Anna Winger, Annette Hess, Babylon Berlin, Benedikt Gollhardt, Charité, Christoph Silber, Dark, Dorothee Schön, Giftschrank, Hark Bohm, Honigfrauen, Jan Berger, Jantje Friese, Joerg Winger, Marc Terjun, Niki Stein, Philipp Jessen, Rolf Basedow, Stefan Kolditz, Tom Tykwer