End of season report card

Andy Fry
By Andy Fry
May 13, 2016

Hit & Miss
How To Get Away With Murder has finished its second run but lost a lot of viewers
How To Get Away With Murder has finished its second run but lost a lot of viewers

At ABC, the story of 2015/16 is that established titles continued to thrive but new ones didn’t really catch on. The highest rating shows (in this order, based on 18-49 viewing) were Modern Family, Grey’s Anatomy, Scandal, The Goldbergs, The Middle and How To Get Away With Murder. Of these, the newest is HTGAWM, which has just ended its second season. Grey’s Anatomy, by contrast, has just completed its 12th season.

This year’s figures show the importance of producer Shonda Rhimes to the network, since three of these titles come from her stable. But they also suggest that ABC cannot be complacent on this front.

HTGAWM has seen its audience fall from around 14 million when it launched two years ago to five million at the end of the current run. That suggests it will need to start turning things around to survive beyond season three. Similarly, Rhimes’ latest show The Catch has failed to deliver for ABC, ranking 17th among all scripted titles at time of writing, but ABC saw enough promise to renew it for a second season nonetheless.

Quantico did enough to secure a renewal but has seen its audience decline
Quantico did enough to secure a renewal but has seen its audience decline

Of the new shows that came into the ABC schedule last autumn, the one that made the most noise was Quantico. The show started well and secured a renewal but has seen its audience slide across the season. Most worryingly for ABC there was no last-episode uplift – a common trait with dramas as audiences tune in to see how things resolve. This doesn’t augur well for the second season, which will kick off without much momentum. The biggest flops of the year were Wicked City and Of Kings & Prophets (which should make networks shy of biblical stories for a while).

Over at NBC, the top six (18-49s) were Blindspot, Chicago Fire, Chicago Med, Law & Order: SVU, Chicago PD and Superstore. Four of these are from Dick Wolf, NBC’s equivalent of ABC’s Rhimes.

Wolf’s success aside, Blindspot is undoubtedly NBC’s big success story this year. While it didn’t achieve the highest absolute ratings on the channel, it did come out number one among 18-49s. True, ratings for the back half of the series are some way down on the show’s strong debut — but they have stayed pretty consistent.

The Blacklist looks set to put in a strong fourth season
The Blacklist looks set for a strong fourth season

The Blacklist didn’t make the top six but it would have been if we were looking at total viewers. The show, starring James Spader, is now a scheduling stalwart having finished three seasons and can be relied on to have a solid fourth season too. Grimm only ranked as the 14th best show but still secured a sixth-season renewal.

Of the network’s other new shows, Jennifer Lopez vehicle Shades of Blue had a decent first year, with its audience stabilising and starting to rise in the second half of the season. Disappointments included Game of Silence, The Player and Truth Be Told.

The ratings on CBS are significantly higher than those on ABC and NBC, when viewed in totality. The top six in the 2015/16 season were The Big Bang Theory, NCIS (both juggernauts), Life in Pieces, Criminal Minds, Scorpion and NCIS: New Orleans, although it’s worth noting that numbers seven to 10 (Mom, Supergirl, 2 Broke Girls and Mike & Molly) would have fared well on the other networks.

Stability has been key to CBS’s success, with The Big Bang Theory, NCIS and Criminal Minds all extremely long-running series. The latter two have also spawned successful spin-offs in the shape of NCIS: New Orleans, NCIS: LA and Criminal Minds: Beyond Borders.

Criminal Minds remains one of CBS's leading shows
Criminal Minds remains one of CBS’s leading shows

In terms of new shows, the big success of the year has been the new comedy Life in Pieces. It benefited from being scheduled after The Big Bang Theory — but even so its performance has been excellent. So it’s no surprising that, at time of writing, it has just been renewed for a second season by CBS.

Another show that tends to go under the radar internationally but is doing a great job for CBS is Scorpion, which just completed season two. The show, which is about a group of computer experts who tackle high-tech threats to the US, hasn’t received especially good reviews. But its ratings are as good as most dramas on the US networks, which explains why it has also been renewed.

CBS’s new dramas have been more problematic. Limitless started off well but has drifted badly in the second half of its first season. Within the next few days it could find itself axed, a situation that would have been unthinkable back in the autumn. Also struggling is another movie spin-off, Rush Hour, which is right at the bottom end of the CBS ratings this season.

Limitless was unable to maintain its momentum on CBS
Limitless was unable to maintain its momentum

Supergirl also ran out of steam in the second half of its debut run, but has been renewed for a second season as part of a deal that sees the show move to The CW, where it will probably fit in nicely alongside top-rating shows like The Flash and Arrow.

And then there is Fox, whose top six scripted shows in terms of 18-49s are Empire, The X-Files, The Simpsons, Family Guy, Lucifer and Gotham. The success of Empire has been well documented while the revival of The X-Files proved to be a good idea. Lucifer is one one of the top performing new series although, like many of its contemporaries, it saw a significant decline in its later episodes. However, it still managed to secure itself a renewal from Fox.

Also worth mentioning is Rosewood. Although the show doesn’t make the top six in terms of 18-49 ratings, its headline audience of 4.88 million means it is actually the third highest show in terms of total viewers. Echoing Life in Pieces, the show was boosted by airing after Empire but it has held up pretty well. After a mid-season slump it is bouncing back and has secured a renewal.

Empire has remained an established hit for Fox
Empire has remained an established hit for Fox

So now we move into Upfronts season, the time of the year when the networks announce new programmes.

The volume of renewals means there aren’t many berths available for new shows. But the networks should keep one thing in mind: with series like Empire, Rosewood, Lucifer, Blindspot, The Goldbergs, Life in Pieces and Scorpion doing well, maybe they should focus more on original ideas than movie-to-TV extensions, which aren’t doing especially well.

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