Category: WE NEED TO TALK ABOUT
While some say young people are no longer watching TV, the global success of series like Riverdale and Pretty Little Liars has turned that theory on its head. DQ explores how series are driving youth audiences back to the box.
Game of Thrones creators David Benioff and DB Weiss have ruffled some feathers by revealing their plans for life after Westeros. Stephen Arnell analyses their proposal for a new alternative-history drama about the Civil War.
From the new season of Stranger Things to CBS’s long-awaited Star Trek: Discovery, DQ presents 10 of the hottest drama trailers to premiere at this year’s Comic Con event, which concluded in San Diego yesterday
As technology continues its assault on traditional television models, success is no longer just about overnight viewing figures. So in today’s crowded drama marketplace, what defines a hit – and how are our views of success changing?
Violence and sex have become common features of TV drama – but are these often graphic depictions key to the success of a show?
Paula Cuddy, creative director of Eleventh Hour Films, discusses the essential ingredients that are needed to make event television.
Social media is having an increasing impact on the success or failure of television drama, as Stephen Arnell discovers.
With Peter Capaldi revealing he plans to leave the Tardis at the same time as showrunner Steven Moffatt also departs Doctor Who, Stephen Arnell considers the future for the long-running sci-fi drama.
Events such as Comic-Con and social media have unleashed a new breed of super-fan – but how are TV shows utilising this new audience, and what influence do they have on the shows they love?
As Prison Break returns to television after an eight-year absence to bolster the line-up of jail-set dramas on air, DQ explores why viewers love to lock themselves up with convicts.
As Donald Trump prepares to move into the White House, Stephen Arnell questions the future of political dramas under the new president.
Comic-Con never fails to deliver when it comes to sneak peaks of new show, this year whetting fans’ appetites by teasing clips of shows ranging from the TV version of The Exorcist to long-awaited Neil Gaiman adaptation American Gods.
DQ speaks to broadcasters and producers about the state of the Canadian drama industry and finds a sector in positive mood when it comes to its place in the international market.
Stephen Arnell casts his eye over the television landscape and finds there are plenty of science-fiction and fantasy series in the works to keep genre fans happy.
Subtitles are now a familiar element of many TV dramas, but how are languages changing the stories we watch and the way these shows are made?
Hot on the heels of some breakout hits, German drama is paving the way for fresh stories to be told as new players enter the original programming game. Michael Pickard reports.
The talking point in TV circles continues to be whether we are at the point of ‘peak drama’ and, if so, how long it can last – but shouldn’t we just enjoy this golden age?
Looking for Victorian London? Try Dublin. Or perhaps you’re after the kind of quintessentially Italian setting one can only find in Prague? From tax credits to geography and architecture, DQ examines the factors far beyond plotlines that play a part in selecting drama production locations.
Small-screen producers are going further than ever in their efforts to send shivers down viewers’ spines, with more horror now heading to TV than ever before. DQ finds out more from those at the forefront of this terrifying trend.
US cable is now home to more drama than ever, with viewers spoilt for choice like never before. But what’s behind the glut – and could the market be reaching saturation point? The major players reveal all.