Category: WE NEED TO TALK ABOUT
Beyond Borgen
Writers Adam Price, Jeppe Gjervig Gram and actor Birgitte Hjort Sørensen made their names on Danish political drama Borgen. DQ finds out what they’ve been up to since and how the series shaped their careers.
Story time
It’s been seven years since Netflix first broke into original programming, transforming the way viewers watch drama forever. But how has the arrival of streaming platforms changed the way stories are told? In this special report, DQ explores storytelling in the digital age.
The best of Belgium
On the back of thrilling series such as De Dag (The Day), Tabula Rasa and 13 Geboden (13 Commandments), Belgium is proving to be the latest global creative hotspot for television drama. DQ hears from those in the business to find out the secret to its success.
Appy days
There’s more drama than ever – but small-screen storytelling is not just being confined to television. DQ speaks to some of those involved in changing the way drama is made and watched.
Long haul
International coproductions are nothing new, but as more globally ambitious dramas are emerging, DQ speaks to the producers behind some of these long-distance series to find out how stories spanning multiple countries are made.
Just one more
In the age of binge-watching, what makes a compelling drama that demands viewers watch the next episode immediately? DQ speaks to a host of writers to find out how they keep audiences hooked to the very end.
Latin flavour
Buoyed by the success of its US counterpart, HBO Latin America is celebrating its own golden age of drama across the region. Roberto Ríos, VP of original production, looks back on 15 years of storytelling.
Wonder women
A host of female characters are rewriting the rules for women on television. DQ explores how they are being brought to the small screen to front series ranging from contemporary crime dramas and thrillers to period and historical series.
Following procedure
Procedural series were once the bread and butter of US broadcast networks. But international buyers are finding them harder to come by amid the appetite for increasingly serialised storytelling. DQ examines the future of the story-of-the-week format.
On the right track
As the battle for the best projects becomes ever more fierce, leading drama commissioners and producers open up about their own development processes and reveal how they work to bring new series to air.
Down with the kids
While some say young people are no longer watching TV, the global success of series like Riverdale and Pretty Little Liars has turned that theory on its head. DQ explores how series are driving youth audiences back to the box.
A house divided
Game of Thrones creators David Benioff and DB Weiss have ruffled some feathers by revealing their plans for life after Westeros. Stephen Arnell analyses their proposal for a new alternative-history drama about the Civil War.
Comic Con’s top trailers
From the new season of Stranger Things to CBS’s long-awaited Star Trek: Discovery, DQ presents 10 of the hottest drama trailers to premiere at this year’s Comic Con event, which concluded in San Diego yesterday
Measuring success
As technology continues its assault on traditional television models, success is no longer just about overnight viewing figures. So in today’s crowded drama marketplace, what defines a hit – and how are our views of success changing?
There will be blood
Violence and sex have become common features of TV drama – but are these often graphic depictions key to the success of a show?
What makes event drama?
Paula Cuddy, creative director of Eleventh Hour Films, discusses the essential ingredients that are needed to make event television.
Chain reaction
Social media is having an increasing impact on the success or failure of television drama, as Stephen Arnell discovers.
Who’s next?
With Peter Capaldi revealing he plans to leave the Tardis at the same time as showrunner Steven Moffatt also departs Doctor Who, Stephen Arnell considers the future for the long-running sci-fi drama.
Fan power
Events such as Comic-Con and social media have unleashed a new breed of super-fan – but how are TV shows utilising this new audience, and what influence do they have on the shows they love?
Drama behind bars
As Prison Break returns to television after an eight-year absence to bolster the line-up of jail-set dramas on air, DQ explores why viewers love to lock themselves up with convicts.