Category: WE NEED TO TALK ABOUT
With a number of drama productions from Central and Eastern Europe drawing critical acclaim in recent years, DQ finds out what’s coming next from the region and why it’s ripe for a breakout international hit
DQ speaks to a number of television directors about their latest work and how their role behind the camera is evolving, from working closely with writers to penning and even acting in the shows themselves.
As visual effects become a more prominent – and expensive – part of television, DQ hears about how writers and producers are aiming to meet cinematic standards in high-end dramas and how VFX can enhance storytelling.
Writers Adam Price, Jeppe Gjervig Gram and actor Birgitte Hjort Sørensen made their names on Danish political drama Borgen. DQ finds out what they’ve been up to since and how the series shaped their careers.
It’s been seven years since Netflix first broke into original programming, transforming the way viewers watch drama forever. But how has the arrival of streaming platforms changed the way stories are told? In this special report, DQ explores storytelling in the digital age.
On the back of thrilling series such as De Dag (The Day), Tabula Rasa and 13 Geboden (13 Commandments), Belgium is proving to be the latest global creative hotspot for television drama. DQ hears from those in the business to find out the secret to its success.
There’s more drama than ever – but small-screen storytelling is not just being confined to television. DQ speaks to some of those involved in changing the way drama is made and watched.
International coproductions are nothing new, but as more globally ambitious dramas are emerging, DQ speaks to the producers behind some of these long-distance series to find out how stories spanning multiple countries are made.
In the age of binge-watching, what makes a compelling drama that demands viewers watch the next episode immediately? DQ speaks to a host of writers to find out how they keep audiences hooked to the very end.
Buoyed by the success of its US counterpart, HBO Latin America is celebrating its own golden age of drama across the region. Roberto Ríos, VP of original production, looks back on 15 years of storytelling.
A host of female characters are rewriting the rules for women on television. DQ explores how they are being brought to the small screen to front series ranging from contemporary crime dramas and thrillers to period and historical series.
Procedural series were once the bread and butter of US broadcast networks. But international buyers are finding them harder to come by amid the appetite for increasingly serialised storytelling. DQ examines the future of the story-of-the-week format.
As the battle for the best projects becomes ever more fierce, leading drama commissioners and producers open up about their own development processes and reveal how they work to bring new series to air.
While some say young people are no longer watching TV, the global success of series like Riverdale and Pretty Little Liars has turned that theory on its head. DQ explores how series are driving youth audiences back to the box.
Game of Thrones creators David Benioff and DB Weiss have ruffled some feathers by revealing their plans for life after Westeros. Stephen Arnell analyses their proposal for a new alternative-history drama about the Civil War.
From the new season of Stranger Things to CBS’s long-awaited Star Trek: Discovery, DQ presents 10 of the hottest drama trailers to premiere at this year’s Comic Con event, which concluded in San Diego yesterday
As technology continues its assault on traditional television models, success is no longer just about overnight viewing figures. So in today’s crowded drama marketplace, what defines a hit – and how are our views of success changing?
Violence and sex have become common features of TV drama – but are these often graphic depictions key to the success of a show?
Paula Cuddy, creative director of Eleventh Hour Films, discusses the essential ingredients that are needed to make event television.