With TNT’s Will and ABC’s Romeo & Juliet sequel Still Star-Crossed airing this summer, Stephen Arnell looks at William Shakespeare’s record as a drama character in his own right.
As Spike launches its adaptation of The Mist, Stephen Arnell explores how TV and film versions of Stephen King’s work have become more popular and prolific than ever.
Science fiction has a long association with television, but it’s now more visible than ever. DQ explores how a shift in storytelling has pushed the genre into the mainstream.
True-life stories of the famous and infamous continue to win commissions in Australia – but for how long? DQ investigates.
From romance and comedy to politics and crime, the Latin drama line-up at Natpe 2017 looks as entertaining as ever. DQ examines some of the new titles being showcased at the Miami event.
Where once flagging TV series would have been quickly axed, now they are getting more time to establish themselves. Are TV bosses getting sentimental or are other forces at play?
Period dramas are never far from our screens, but they currently appear to be more popular and diverse than ever. Stephen Arnell examines the current trend for costume series.
With The Flash and Supergirl set to meet for the first time, Michael Pickard looks at the trend for drama crossovers, with viewers’ favourite characters set to share more screen time in the future.
As BBC1 prepares to air Dickensian, which brings together multiple characters from across Charles Dickens’ works, DQ highlights some of the other shows to have taken the shared-universe approach.
As more original dramas are produced than ever before, DQ finds there’s still a place for classic series to find new audiences.
As remakes’ popularity among content commissioners continues to belie their very mixed success rate, what are the do’s and don’ts when it comes to remaking a hit drama from abroad – and has new NBC show Game of Silence got it right? Matt Graham, international content specialist at Attentional, reports.
DQ looks at the latest dramas to incorporate time travel into their storylines, and asks those behind the programmes exactly how they tackle a plot device that so often lends itself to confusion and complications.
From American Horror Story and Black Mirror to True Detective and The Missing, it’s clear anthology series are back in a big way. DQ examines the reasons behind the revival, and wonders whether anthologies are here for the long run.
As AMC prepares to launch Fear The Walking Dead, Michael Pickard looks at the trend towards producing spin-offs of popular shows and examines why such series are so popular with television networks.
Michael Pickard reports on the latest Hollywood star to join the cast of Sky and Canal+’s The Young Pope, the most recent in a long line of papal dramas.
Viewers are doing time with two dramas set inside women’s prisons, but is there room for both Wentworth and Orange is the New Black?
It was the service that changed the rules. But with subscriber numbers continuing to soar and questions being asked about higher prices, what comes next for Netflix?
As the popularity of Nordic noir shows no sign of waning, DQ asks Scandinavian drama’s key players where they plan to take the genre next.