Category: THE WRITERS ROOM
Bye bye Bosch
Michael Connelly, author of the Bosch and Lincoln Lawyer book series, tells DQ about how the dramas based on both have affected by the coronavirus outbreak and his hopes for the final season of Bosch.
Writers unite
Lisa Holdsworth, chair of the Writers’ Guild of Great Britain, tells DQ about the union’s plans to support writers amid the coronavirus pandemic, while also questioning how future series might represent current events.
Criminal genes
Forbrydelsen (The Killing) writer Torleif Hoppe speaks to DQ about the genre-defining Danish series and how his latest crime drama, DNA, flips the script on its leading detective.
Life and Unsoul
Brazilian drama Desalma (Unsoul) marries crime drama with small-town paranoia and religious ritualism to unsettling effect. Writer Ana Paula Maia tells DQ about the creative process behind her first television series.
New radicals
The writers and producer of Swedish drama Kalifat (Caliphate) tell DQ how they crafted this story of five young women who become radicalised by religious fundamentalism.
Norway’s darkest day
Sara Johnsen, the co-creator and writer of Norwegian drama 22 Juli (July 22), tells DQ about her approach to dramatising the devastating terror attacks that struck Oslo and the island of Utøya on that date in 2011.
Life through a lens
After working on a pair of adaptations, writer Daisy Coulam is bringing an original story to television in the shape of Deadwater Fell. She tells DQ how a love of true crime shows and the power of social media inspired the series.
Killer cop
After a season one conclusion that left the Twittersphere outraged, Bancroft writer Kate Brooke tells DQ what’s in store for the eponymous rogue cop in season two and why there’s no character like her on TV.
Unwanted guest
Following appearances on screen this year in Sanditon and A Confession, Kate Ashfield tells DQ about continuing her burgeoning writing career by penning Finnish psychological drama Huone 301 (Man in Room 301).
Night school
Carla Faour and Julia Spadaccini, the writers behind Brazilian series Segunda Chamada (Second Call), tell DQ why they wanted to shine a light on the country’s adult education system.
Sharpening Sabre
The next project from Goran Stanković and Vladimir Tagić, the creators of popular Serbian dramedy Morning Changes Everything, centres on a pivotal moment in contemporary Serbian history.
Specially maid
Spanish series Arde Madrid imagines the relationship between Hollywood star Ava Gardner and Argentine dictator Juan Perón, as revealed through the eyes of a maid and a chauffeur. DQ meets writers and directors Paco León and Anna R Costa.
Dealing with expectation
Taís and Pedro face some life-changing decisions when they discover they are about to become parents in Brazilian series Pais de Primeira (First-Time Parents). Writer Antonio Prata tells DQ how the series was born.
Souped up
In French drama Soupçons (Torn), childhood sweethearts rekindle their love — but at what cost to their families? Co-writer and director Lionel Bailliu tells DQ about the romantic thriller.
Pol position
As Poldark returns for its fifth and final season, series creator and writer Debbie Horsfield tells DQ how the period drama departs from its source material and outlines her approach to bringing the saga to a close.
Eco trip
Greenpeace, WWF and the UN are among the supporters of Brazilian drama Aruanas, which charts the work of environmental activists who investigate the suspicious activities of a mining company in the Amazon rainforest. DQ meets creator, writer and director Estela Renner.
Knight to remember
Speaking at Canneseries, Peaky Blinders creator Steven Knight looks back on his career and discusses how he became a screenwriter, working in Hollywood and why television is the place to be.
Marriage of con-venience
Danish writers Thor Bjørn Krebs and Mikkel Serup talk to DQ about the making of their crime drama Pros & Cons, in which a couple seek to spice up their lacklustre marriage by returning to their former lives as con artists.
Finnish with a flourish
Crime and religion clash in Finnish drama Kaikki Synnit (All the Sins), the first scripted television project for award-winning writers Merja Aakko and Mika Ronkainen. DQ finds out how they pulled it off.
Developing Trust
Dan Sefton, creator and writer of BBC miniseries Trust Me, talks about the show’s evolution into an anthology after losing its star and explains how the second season has been inspired by the work of Alfred Hitchcock.