Category: THE DIRECTOR’S CHAIR
Channel 4’s factual one-off The Interrogation of Tony Martin is a groundbreaking film billed as the first verbatim drama. Writer/director David Nath reveals how it was pulled together from real police interview transcripts.
L’Amica Geniale (My Brilliant Friend) is one of the most eagerly awaited dramas of the year. Director Saverio Costanzo tells DQ how he steered the ambitious period drama, based on Elena Ferrante’s novel, for Italian broadcaster Rai and US cable network HBO.
Jordi Frades, director of Spanish period drama La Catedral del Mar (Cathedral of the Sea), tells DQ about filming the epic series and why he wanted to stay true to its source material.
Writer-director Thomas Cailley introduces DQ to Ad Vitam, a French sci-fi thriller in which two detectives are tasked to investigate a mass suicide in a futuristic world in which death has been ‘cured.’
Following its debut in Finland, crime noir drama Karppi (Deadwind) is rolling out worldwide on Netflix. DQ speaks to co-writer and director Rike Jokela about introducing a new female detective into the Scandinavian crime genre and the birth of ‘Helsinki noir.’
Ali Bilgin, the director of Turkish drama Ufak Tefek Cinayetler (Stiletto Vendetta), tells DQ about steering the Star TV series about revenge and rivalry between four old school friends.
Mystery Road is the latest Australian movie to hit the small screen. Series director Rachel Perkins discusses working with stars Judy Davis, Aaron Pedersen and the stunning Western Australian landscape in a show that blends cop drama and outback noir.
Directing brothers Jorge and Alberto Sánchez-Cabezudo talk about the inspiration behind Spanish thriller La Zona (The Zone), an eight-part drama that follows the hunt for a murderer three years after a catastrophic nuclear tragedy.
Australian director Nash Edgerton makes his television debut with Mr InBetween, a dark comedy-drama about a hitman juggling his personal and professional lives. He tells DQ about the battle to get the series made, 13 years after the film that inspired it.
A Belgian drama inspired by the Ten Commandments sees a modern-day Moses commit a string of gruesome crimes. DQ leans more about the series – 13 Geboden (13 Commandments) – from director Maarten Moerkerke.
Ola Rapace stars as a detective investigating a brutal murder in Swedish drama Hassel. The show’s lead director, Amir Chamdin, reveals the demands of taking charge of his first television series.
With more than 200 hours of television drama in the can, Canadian director Don McCutcheon tells DQ about working on Murdoch Mysteries, the changing role of directors and why he thinks his best work is yet to come.
Director Kari Skogland tells DQ about her love of stunts and spectacle when she discusses her television career, with credits including Boardwalk Empire, The Walking Dead, The Americans and House of Cards.
Director Tom Shankland discusses his craft, looking at shows including The Missing, House of Cards and Marvel series Luke Cage, Iron Fist and The Punisher.
Director Kath Mattock tells DQ how she became involved in factual drama The Trial: A Murder in the Family and how this complex series blends reality and fiction in order to record the deliberations that take place by a jury deciding the outcome of a murder trial.
Director Bill Eagles and cinematographer Michael Snyman discuss their work and partnership on ITV’s new India-set medical drama The Good Karma Hospital, and reveal the challenges of filming on location in Sri Lanka.
Best known for seminal Danish crime drama Forbrydelsen (The Killing), director Kristoffer Nyholm tells DQ why Tom Hardy-led thriller Taboo is like nothing ever seen on TV before.
Director Ed Bazalgette discusses his work behind the camera, with credits including hit BBC drama Poldark and his next project, the forthcoming Doctor Who Christmas 2016 special, The Return of Doctor Mysterio.
Director Lesli Linka Glatter is behind the first two episodes of History’s Navy SEALs drama Six, which launches next month. She tells DQ more about the series, produced and distributed by A+E Studios, and how she pieced together one of her favourite scenes.