Category: THE DIRECTOR’S CHAIR
Director Julien Trousselier tells DQ how he added a splash of realism to French sirens-focused drama Une Île (Apnea), the latest in a slew of shows about the mythological beings.
Gurinder Chadha, director of Beecham House, tells Michael Pickard about changing the perspective of British-Indian stories and her triple role as writer, director and producer.
Juan Ignacio Sabatini, the director and executive producer of Chilean drama Inspector Rojas: In Cold Blood, tells DQ about the story’s real-life origins and explains how the series pushes the crime genre in a new direction.
Japanese director Nobuo Mizuta tells DQ about the challenges of making a romantic drama in the shape of Nippon TV’s Weakest Beast, the story of two 30-somethings struggling to find love until they unwittingly cross paths.
A family liaison officer discovers a personal connection to a missing persons case in ITV drama The Bay. DQ speaks to lead director Lee Haven Jones about filming the series, casting Morven Christie and why he believes actors are often neglected.
Channel 4’s factual one-off The Interrogation of Tony Martin is a groundbreaking film billed as the first verbatim drama. Writer/director David Nath reveals how it was pulled together from real police interview transcripts.
L’Amica Geniale (My Brilliant Friend) is one of the most eagerly awaited dramas of the year. Director Saverio Costanzo tells DQ how he steered the ambitious period drama, based on Elena Ferrante’s novel, for Italian broadcaster Rai and US cable network HBO.
Jordi Frades, director of Spanish period drama La Catedral del Mar (Cathedral of the Sea), tells DQ about filming the epic series and why he wanted to stay true to its source material.
Writer-director Thomas Cailley introduces DQ to Ad Vitam, a French sci-fi thriller in which two detectives are tasked to investigate a mass suicide in a futuristic world in which death has been ‘cured.’
Following its debut in Finland, crime noir drama Karppi (Deadwind) is rolling out worldwide on Netflix. DQ speaks to co-writer and director Rike Jokela about introducing a new female detective into the Scandinavian crime genre and the birth of ‘Helsinki noir.’
Ali Bilgin, the director of Turkish drama Ufak Tefek Cinayetler (Stiletto Vendetta), tells DQ about steering the Star TV series about revenge and rivalry between four old school friends.
Mystery Road is the latest Australian movie to hit the small screen. Series director Rachel Perkins discusses working with stars Judy Davis, Aaron Pedersen and the stunning Western Australian landscape in a show that blends cop drama and outback noir.
Directing brothers Jorge and Alberto Sánchez-Cabezudo talk about the inspiration behind Spanish thriller La Zona (The Zone), an eight-part drama that follows the hunt for a murderer three years after a catastrophic nuclear tragedy.
Australian director Nash Edgerton makes his television debut with Mr InBetween, a dark comedy-drama about a hitman juggling his personal and professional lives. He tells DQ about the battle to get the series made, 13 years after the film that inspired it.
A Belgian drama inspired by the Ten Commandments sees a modern-day Moses commit a string of gruesome crimes. DQ leans more about the series – 13 Geboden (13 Commandments) – from director Maarten Moerkerke.
Ola Rapace stars as a detective investigating a brutal murder in Swedish drama Hassel. The show’s lead director, Amir Chamdin, reveals the demands of taking charge of his first television series.
With more than 200 hours of television drama in the can, Canadian director Don McCutcheon tells DQ about working on Murdoch Mysteries, the changing role of directors and why he thinks his best work is yet to come.
Director Kari Skogland tells DQ about her love of stunts and spectacle when she discusses her television career, with credits including Boardwalk Empire, The Walking Dead, The Americans and House of Cards.
Director Tom Shankland discusses his craft, looking at shows including The Missing, House of Cards and Marvel series Luke Cage, Iron Fist and The Punisher.
Director Kath Mattock tells DQ how she became involved in factual drama The Trial: A Murder in the Family and how this complex series blends reality and fiction in order to record the deliberations that take place by a jury deciding the outcome of a murder trial.