A small town serves as a sanctuary for a group of people with secrets to hide in supernatural mystery Midnight, Texas. DQ speaks to showrunner Monica Owusu-Breen about adapting Charlaine Harris’ novels and the show’s political parallels.
Get Shorty showrunner Davey Holmes tackles Elmore Leonard’s novel in a drama far removed from the 1995 movie of the same name. He tells DQ how he created the Epix series, which stars Chris O’Dowd as an hitman who lands in Hollywood.
FX explores the crack cocaine epidemic that gripped LA in the 1980s in period drama Snowfall. DQ chats to showrunner Dave Andron about the series, which he describes as a “love letter” to the city.
Showrunner Emma Frost takes DQ into the court of The White Princess, a historical drama she describes as a period version of The West Wing.
American Gods co-showrunner Bryan Fuller reveals why Neil Gaiman’s novel was “ripe” for television and how he brought this story to the small screen.
With an eye for crafting unique worlds, Fargo and Legion creator Noah Hawley tells DQ why he is bringing movie methods to television.
Oscar-winning screenwriter and American Crime creator John Ridley realises a long-held ambition to tell a story about race relations in the UK with Guerrilla, a six-part series for Sky Atlantic and Showtime.
Writer-director Nikkhil Advani discusses the process of adapting Israeli drama Hatufim (Prisoners of War), which became Homeland in the US, for Indian audiences.
In the second part of DQ’s special film about showrunners, some of the biggest names in US television discuss the challenges facing the industry in the era of ‘Peak TV.’
In this special film, some of the biggest names in US drama tell DQ about the changing role of the showrunner.
Game of Thrones showrunners David Benioff and DB Weiss discussed on-set disasters, character deaths, celeb cameos and plans for life after the fantasy series during a keynote chat in Austin.
Line of Duty creator Jed Mercurio speaks to DQ about the success of the police drama and his role as a US-style showrunner role within the UK drama industry.
Narcos co-creator Chris Brancato has spent 20 years as a showrunner, overseeing season one of the Netflix series plus shows including NBC’s Hannibal and ABC’s Of Kings and Prophets. Here he discusses the role that has attained iconic status in television drama.
With 70 episodes now under his belt, series creator and writer Michael Hirst tells DQ how the world of Vikings continues to grow each season.
Showrunner extraordinaire Shonda Rhimes walks back through her career, from her start in films to launching Grey’s Anatomy and bringing through new writers at her production label Shondaland.
Mary Kills People showrunner Tassie Cameron tells Michael Pickard how the Canadian drama strikes a balance between the serious subject at the heart of the story and its lighter, humorous moments.
With two of the most anticipated new US shows to his name in dramedy This Is Us and baseball series Pitch, Dan Fogelman is hoping to hit a home run this year.
Norwegian thriller Øyevitne gets a US makeover when Eyewitness launches on USA Network. DQ speaks to showrunner Adi Hasak about translating the original series for a new audience.
Michelle and Robert King reflect on seven years as showrunners of hit US drama The Good Wife and reveal how they overcame early setbacks to create one of the biggest shows on television.
Silicon Valley meets The Wire as technology and crime clash in StartUp, US SVoD platform Crackle’s latest original series. Creator Ben Ketai explains why the world of cyber currency is the perfect setting for this 10-part thriller.