Morwyn Brebner, showrunner of CBC series Coroner, tells DQ about making the Canadian drama – from adapting Matthew Hall’s series of novels and casting Serinda Swan in the lead role to the collaborative nature of making television.
Bedrag (Follow the Money) III is the next chapter of the acclaimed TV series from Denmark’s DR, set in the world of organised crime and money laundering. Creator and showrunner Jeppe Gjervig Gram (Borgen) explains how this new season attempted to stay ahead of the headlines.
First-time showrunner Mika Watkins tells DQ about building Origin, a 10-part space thriller commissioned by YouTube Premium that mixes sci-fi and horror to tell the story of a group of people dreaming of redemption but left fighting for survival.
Kit Steinkellner’s widow-focused drama Sorry for Your Loss has given Facebook’s Watch platform its first real episodic hit. Here, the showrunner discusses making a ‘traumedy’ for an audience of two billion.
Mad Men creator Matthew Weiner’s latest project has arrived on Amazon Prime Video, but The Romanoffs swims against the tide of contemporary television drama, as DQ discovers
Showrunners Emma Frost and Matthew Graham explore the early life of Catherine of Aragon, Henry VIII’s first wife, in historical drama The Spanish Princess. They reveal how the future queen caused a stir in Tudor England and the drama’s parallels with Breaking Bad.
What started as a teaching exercise became a landmark coproduction between Czech Television and Arte in the shape of drama series Lynč (The Lynching). DQ speaks to showrunner Harold Apter about creating the Czech show and bringing the US creative process to Europe.
Eric Khoo, showrunner and director of HBO Asia’s Folklore, reveals how he drew on the region’s myths and legends to create the ambitious horror anthology series.
Ahead of the finale of the fourth season of US drama Hit the Floor, showrunner James LaRosa discusses the show’s move from VH1 to BET, why sports are perfect for TV dramas and his unconventional journey to running a series.
As Mr Mercedes returns for a second season, showrunner Jack Bender tells DQ about adapting Stephen King’s crime novel for the small screen and the importance of character in TV drama.
As reality TV-focused drama UnReal ends after four seasons, showrunner Stacy Rukeyser reflects on the show’s controversial storylines and the rise of female anti-heroes.
As season two of HBO’s Westworld draws to a close, co-creators and showrunners Lisa Joy and Jonathan Nolan discuss making the series, rebooting the Western genre and their fascination with the mind-bending themes at the heart of the drama.
Castle exec producers Terri Edda Miller and Andrew W Marlowe return to TV with Take Two, a crime drama that sees an actor pair up with a PI. The duo tell DQ about the international route they took to bring the series to air and why procedural dramas still have a place on screen.
US premium cable network Starz backed Tanya Saracho’s story of two sisters returning to their old LA neighbourhood. The new showrunner hopes to repay its faith by using Vida to bring greater diversity in front of and behind the camera.
Just when you thought it was safe to go back into the water, mermaids and humans are set for a battle to control the ocean in Siren, which launches on US cable channel Freeform next week. DQ dives into the series with showrunner Emily Whitesell.
Creator and showrunner Matthew Parkhill and actor Mark Strong open up about Deep State, an international espionage thriller that is also Fox Networks Group’s first regional scripted commission for Europe and Africa.
US streaming platform Crackle delves into the world of cop gangs with 10-part drama The Oath. Showrunner Joe Halpin reveals how the show is informed by his own career in the LAPD and how he made the move from police officer to TV writer.
Since beginning his television career on Star Trek: The Next Generation, Naren Shankar has worked across the spectrum of science fiction drama. Now helming Syfy’s The Expanse, he discusses adapting the source novels and the increasing demands of being a showrunner.
The true story of a US Army unit ambushed in Iraq is dramatised in National Geographic limited series The Long Road Home. Showrunner Mikko Alanne discusses adapting Martha Raddatz’s non-fiction novel and filming at the base where the real soldiers were stationed.