Category: SCENE STEALERS
Gigantes (Giants) director Enrique Urbizu takes us through the opening scene of the Movistar+ drama, which focuses on a family that runs a prestigious antiques business as a front for their drug empire.
Counterpart creator Justin Marks picks out a key scene from the Starz spy drama’s opening episode that sets the tone for the rest of the show, which is currently in production on its second season.
Chris Noth, Leven Rambin and Danny Pino explain why US crime procedural Gone stands out from the crowd – and recall filming a tough fight sequence between two of the leading trio.
Matthew Graham, the writer behind the first episode of Electric Dreams, the 10-part anthology series based on the works of acclaimed author Philip K Dick, tells DQ about his favourite scene from The Hood Maker, which is based on the short story of the same name.
Soccer consultant Philippe Fallu tells DQ about creating match sequences for Canadian broadcaster CBC’s football-themed series 21 Thunder, which follows the drama surrounding the young players of the fictional Montreal Thunder on and off the pitch.
Eleventh Hour Films executive producer and head of talent Eve Gutierrez reveals why one scene from BBC drama New Blood gave her cause to hold her breath.
Director Lesli Linka Glatter is behind the first two episodes of History’s Navy SEALs drama Six, which launches next month. She tells DQ more about the series, produced and distributed by A+E Studios, and how she pieced together one of her favourite scenes.
Writer Peter Bowker and director Peter Cattaneo describe their favourite scenes from the opening episode of The A Word.