Category: IN PRODUCTION
With six series on air, veteran writer and producer Dick Wolf talks to DQ about the changing television industry and reveals why he would tell aspiring producers to go into a different line of work.
Magdalena Cieslak, head of scripted at producer Endemol Shine Poland, tells DQ about the inspiration behind the company’s first period drama, Stulecie Winnych (Our Century), and the challenges of bringing it to television.
Between Issa Rae Productions and Color Creative, producer Deniese Davis is backing a diverse slate of series while championing underrepresented writers. She tells DQ about her approach to finding new talent in a business that she compares to the Wild West.
Fire Monkey executive producer Roope Lehtinen breaks down forthcoming Scandi drama The White Wall and details the challenges of filming the sci-fi mystery series hundreds of metres below ground in northern Finland.
Executive producer Fiona Eagger lifts the lid on Miss Fisher’s Modern Murder Mysteries, a spin-off from Australian period crime drama Miss Fisher’s Murder Mysteries set during the 1960s and starring Geraldine Hakewill.
As Irish production company ShinAwil launches a new TV drama division, CEO Larry Bass outlines its first projects and explains why Ireland’s scripted series are set explode on the international stage.
Danish drama Den Som Dræber (Those Who Kill) has returned for a new season, eight years after it first aired. Producer Zire Schucany talks DQ through the process of rebooting the dark crime series.
Swedish drama West of Liberty brings the first book in Thomas Engström’s spy series to television. DQ speaks to producer Gunnar Carlsson about making the English-language series, which is set and filmed in Berlin.
Blumhouse Television is blurring the lines between TV and film with Hulu’s holiday-themed anthology series Into the Dark. DQ finds out more from producer Alexa Faigen.
Three producers from across Africa tell DQ about their upcoming television drama plans, the stories they want to tell and the challenges they face bringing them to the screen.
A walk in the desert marked a turning point for Vertigo Films as it turned its attention to television. DQ hears how the company plans to follow its initial success with historical drama Britannia and buddy cop thriller Bulletproof.
The supernatural and spy genres fuse together in The Rook, an adaptation of Daniel O’Malley’s novel about a shadowy London agency and a woman suffering total amnesia, set in a world where people have peculiar abilities. Executive producer Stephen Garrett reveals all.
A new daily drama aims to paint a portrait of modern France. DQ speaks to producer Toma de Matteis about France 2’s scripted series Un si grand soleil (Chronicles of the Sun), which has an initial commission of 235 episodes.
Mainstreet Pictures co-MDs Sally Haynes and Laura Mackie tell DQ about making the third season of crime drama Unforgotten, the trouble with in-demand writers, and their aim to produce television people want to talk about.
Former EastEnders showrunner Dominic Treadwell-Collins talks to DQ about bringing together Russell T Davies, Stephen Frears, Hugh Grant and Ben Whishaw for A Very English Scandal, the first production from Blueprint Television.
German film prodco 23/5 Filmproduktion is moving into TV for the first time with Das Verschwinden (The Vanishing), in which a woman searching for the truth behind her daughter’s disappearance uncovers more than she bargained for.
With credits including Happy Valley, Cucumber and The Five, Red Production Company has built a reputation for being a writers’ producer. DQ speaks to executive producer Nicola Shindler – and some of the A-list scribes lining up to work with her.
Former NBC Entertainment president Warren Littlefield discusses the success of The Handmaid’s Tale and the lessons he learnt making the leap from broadcaster to producer.
With two of the most anticipated new US shows to his name in dramedy This Is Us and baseball series Pitch, Dan Fogelman is hoping to hit a home run this year.