Category: IN PRODUCTION
Handmaid to measure
Former NBC Entertainment president Warren Littlefield discusses the success of The Handmaid’s Tale and the lessons he learnt making the leap from broadcaster to producer.
In full swing
With two of the most anticipated new US shows to his name in dramedy This Is Us and baseball series Pitch, Dan Fogelman is hoping to hit a home run this year.
DQ uncovers the hidden story of Farang
Red Arrow International is at Mipcom 2016 distributing action-packed Swedish thriller Farang. Producer Anna Wallmark Avelin and co-ordinator Frida Wallman reveal the hidden story behind the series.
Managing expectations
DQ sits down with Stephen and Simon Cornwell, co-CEOs of The Ink Factory, to look back at their Emmy-winning drama The Night Manager and discuss how they hope to follow its success.
One step ahead
Hell on Wheels producer Entertainment One is proving to be a nimble operator as it bends to the changing television landscape.
Two of a kind
Castle executives Andrew W Marlowe and Terri Edda Miller tell DQ how they plan to put some fun back into television with new series Take Two, which aims to replicate the light-hearted tone of the recently cancelled procedural.
Setting the tone
The makers of TNT crime drama Animal Kingdom and creative director and designer Erin Sarofsky discuss the creation of the show’s title sequence and reflect on the importance of such openings to drama series.
The magic touch
French broadcaster TF1 is breaking new ground with crime drama Contact, both on camera and off. DQ speaks to series producer Christophe Carmona.
Royal rumble: Left Bank puts on The Crown for Netflix
Andy Harries, CEO of UK prodco Left Bank Pictures, reveals how Netflix’s forthcoming UK original The Crown has shaken up the industry.
Bambú plays politics: Meet the team behind The Embassy
The creative team behind the period drama dubbed the ‘Spanish Downton Abbey’ turn their attention to politics and corruption in The Embassy. Michael Pickard speaks to producers Ramón Campos Sáez and Teresa Fernández-Valdés.
Full circle: Tabula Rasa producer Helen Perquy’s journey
Tabula Rasa producer Helen Perquy tells Michael Pickard about the show’s journey from Series Mania pitch to fully-fledged series ahead of its launch on VRT next year.
Zeroing in on a dark future
Braquo creator Olivier Marchal is back on TV with Section Zéro, a new thriller that puts a sci-fi spin on his trademark brand of gritty crime drama. Michael Pickard finds out more from the show’s producer Edouard de Vésinne.
One step ahead: eOne adapts to a changing industry
Hell on Wheels producer Entertainment One is proving to be a nimble operator as it bends to the changing television landscape.
Walking on the Wildside: DQ hears from Young Pope producer
Italian producer Wildside is targeting high-end international drama with Jude Law-starrer The Young Pope and the adaptation of Elena Ferrante’s Neapolitan novels. Michael Pickard reports.
A vision of the future: UK indie producer Nevision
UK indie Nevision is shaking up the drama production model by investing in new writers and offering them a share of the business. Michael Pickard reports.
Shine on in Oz
The Australian arm of the Endemol Shine Group is ramping up its drama output for broadcasters and emerging platforms, partly in league with indie producers.
Built to Last: Bonafide Films MD Margery Bone
Bonafide Films is set to break out with a wartime period drama penned by Peter Moffat. MD Margery Bone tells Michael Pickard why The Last Post is just the beginning.
Ahead of the game: Dubai’s MBC on breaking new ground
Dubai-based broadcaster MBC is breaking new ground with dramas such as mystery thriller Witch of the South. Fadi Ismail, general manager of the network’s production arm O3 Productions, explains why ‘nothing is taboo anymore.’
Drama down to a science
Described as a mix of Sherlock, Breaking Bad and The Big Bang Theory, German mystery crime drama Einstein is preparing to hit screens this spring. DQ speaks to the producers behind the show.
Drama at its peak: Caryn Mandabach on the state of the industry
Peaky Blinders producer Caryn Mandabach explains why she isn’t concerned by the so-called drama glut.