Category: IN PRODUCTION
Line of Duty and Bodyguard showrunner Jed Mercurio speaks to DQ about his latest project, Northern Irish crime thriller Bloodlands, and his ambitions for his recently launched production company.
Executive producers Faith Penhale and Mona Qureshi open the book on the BBC’s adaptation of Vikram Seth’s 1,300-page novel A Suitable Boy, a coming-of-age story set in North India in the 1950s.
ITV and S4C are both using drama to tell some of the unique stories that are emerging from life under lockdown. Producers Jeff Pope and Pip Broughton tell DQ about making Isolation Stories and Cyswllt (Lifeline).
Swedish producer Piodor Gustafsson reveals his approach to book adaptations and explains why thriller Moscow Noir presents a new side of Russia.
Executive producer Nicholas Weinstock looks back on making acclaimed prison-break drama Escape at Dannemora and comedy drama In the Dark, two distinctly different series united by ambitions of authenticity.
CEO Miles Ketley and Shaun of the Dead stars Simon Pegg and Nick Frost speak to DQ about their burgeoning production company Stolen Picture, why they’re targeting television and their ambition to surprise audiences.
DR Drama producer Claudia Saginario previews the Danish broadcaster’s forthcoming autumn launch Ulven Kommer (Cry Wolf), in which a daughter’s allegations push her family to breaking point.
Michael Ellenberg, the former head of drama at US premium cablenet HBO, is looking to build his Media Res production company with more big-budget shows for streamers following the success of Apple’s The Morning Show.
High-concept murder mystery Your Turn to Kill sees neighbours living in an apartment block take part in a deadly game. DQ speaks to producer Hiroe Suzuma about the ideas behind the Japanese drama.
New Zealand drama is making its mark on the international scene on the back of two ambitious coproductions fuelled by producer Screentime NZ, as CEO Philly de Lacey explains.
With six series on air, veteran writer and producer Dick Wolf talks to DQ about the changing television industry and reveals why he would tell aspiring producers to go into a different line of work.
Magdalena Cieslak, head of scripted at producer Endemol Shine Poland, tells DQ about the inspiration behind the company’s first period drama, Stulecie Winnych (Our Century), and the challenges of bringing it to television.
Between Issa Rae Productions and Color Creative, producer Deniese Davis is backing a diverse slate of series while championing underrepresented writers. She tells DQ about her approach to finding new talent in a business that she compares to the Wild West.
Fire Monkey executive producer Roope Lehtinen breaks down forthcoming Scandi drama The White Wall and details the challenges of filming the sci-fi mystery series hundreds of metres below ground in northern Finland.
Executive producer Fiona Eagger lifts the lid on Miss Fisher’s Modern Murder Mysteries, a spin-off from Australian period crime drama Miss Fisher’s Murder Mysteries set during the 1960s and starring Geraldine Hakewill.
As Irish production company ShinAwil launches a new TV drama division, CEO Larry Bass outlines its first projects and explains why Ireland’s scripted series are set explode on the international stage.
Danish drama Den Som Dræber (Those Who Kill) has returned for a new season, eight years after it first aired. Producer Zire Schucany talks DQ through the process of rebooting the dark crime series.
Swedish drama West of Liberty brings the first book in Thomas Engström’s spy series to television. DQ speaks to producer Gunnar Carlsson about making the English-language series, which is set and filmed in Berlin.
Blumhouse Television is blurring the lines between TV and film with Hulu’s holiday-themed anthology series Into the Dark. DQ finds out more from producer Alexa Faigen.