Category: IN FOCUS
US cable channel TNT turned to Caleb Carr’s arresting novel The Alienist as the premise of its biggest ever drama series. The creative team behind the series, alongside star Luke Evans, discuss bringing the period piece from page to screen.
Hair, make-up and prosthetics designer Davina Lamont discusses her work on epic Sky and Amazon historical drama Britannia, in which a Roman army faces up to Druids and Celts in 43AD.
Tuvalu Entertainment and ZDF Enterprises this week announced they have joined forces for supernatural thriller One Bad Apple, in which the Devil seeks to return to Earth and reunite with his teenage daughter. DQ spoke to their creative team behind the series about their ambitions for this female-led drama.
Ambitious Brazilian telenovela Deus Salve o Rei (God Save the King) goes big on visual effects in a bid to recreate its medieval setting.
JK Simmons goes head to head with himself in spy drama Counterpart, launching on Starz this month. The actor, co-star Olivia Williams and creator Justin Marks talk about making the series, which blends sci-fi and espionage to create a high-octane thriller.
Writer/director Geoffrey Wright, producer John Edwards and Stan chief creative officer Nick Forward discuss the making of Australian drama Romper Stomper, a six-part thriller that follows Wright’s original 1992 film.
Jessie Burton’s award-winning novel The Miniaturist has been adapted into a two-part drama for BBC1. Executive producer Kate Sinclair reveals how this story, set in 17th century Amsterdam, was brought to the small screen.
A year after Beauty & the Beast came to an end, star Kristin Kreuk is heading back to the small screen in Canadian drama Burden of Truth. The actor tells DQ about the attraction of this small-town legal drama with social justice at its core – and her role in bringing the series to air.
Black Mirror creator Charlie Brooker has become rather adept at predicting future technologies and scientific advancements. With season four coming to Netflix, he and coproducer Annabel Jones reveal the writing and development process behind the anthology series.
Without much noise or fanfare, Spain has been steadily building a reputation as one of the hottest producers of scripted drama, with homegrown series finding fans around the world. DQ takes an in-depth look at the wave of new series coming out of the country.
Swedish comedy-drama Bonusfamiljen (The Bonus Family) became an instant hit when it debuted on SVT this year. With a third season already commissioned, co-creators Clara and Felix Herngren reveal how the series was inspired by their own relationship and why they think it can repeat its success overseas.
Chris Irvine, head of production and commercial at SBS, takes DQ inside the Australian broadcaster to reveal its drama strategy, his thoughts on the scripted television business and how he is developing new series in partnership with head of drama Sue Masters.
Zion Baruch, creator and star of Israeli drama Juda, and director Meni Yaesh discuss making the eight-part thriller about a low-life hustler who gets caught up in a world of French mobsters and Romanian vampires.
Lorenzo the Magnificent takes centre stage in the second chapter of Renaissance drama Medici: Masters of Florence. As filming continues apace in Tuscany, DQ speaks to the star and producers of the Rai series, which has built a worldwide audience on Netflix.
Brazilian hospital drama Bajo Presión (Under Pressure) takes the medical genre to new levels of authenticity, using real-life stories and filming at a disused hospital. DQ hears from creator Jorge Furtado and artistic director Andrucha Waddington about producing this ‘genuinely Brazilian’ series.
Russian drama Better Than Us explores a near future where humans share their daily lives with robots – and the ethical dilemmas those relationships throw up. Creator Alexander Kessel tells DQ how this world was created and why science-fiction is enjoying a resurgence.
Korean dramas provided the basis for two US series this year, with ABC shows Somewhere Between and The Good Doctor both taking their inspiration from a country that is prolific in its output of scripted content. Here, DQ picks out some new Korean series that are also ripe for acquisition and adaptation.
Benedict Cumberbatch and Kelly Macdonald star in a feature-length adaptation of Ian McEwan’s acclaimed novel The Child in Time that very nearly didn’t get made. DQ chats to the stars and screenwriter Stephen Butchard about the film’s journey to the screen.
British gangster drama Peaky Blinders is back for a fourth season, with some new faces and enough action and tension to leave even the most placid viewer a nervous wreck. DQ hears from the cast and creative team about what to expect next from the BBC2 series.