Category: DQ TV
Prodigal Son co-creators Chris Fedak and Sam Sklaver explain how this Fox murder mystery doubles up as a twisted family drama.
Cristian Conti, creator of Colombian drama Wild District, talks about themes of the Netflix series and the increasing prominence of non-English-language drama.
German director Edward Berger reveals some of the secrets behind filming Deutschland 83, The Terror and Patrick Melrose, and discusses the changing role of the director.
As the Bauhaus art movement celebrates its centenary, DQ learns more about German drama Bauhaus: Die Neue Zeit (A New Era) from stars Anna Marie Mühe and August Diehl.
With season five now on air, Peaky Blinders creator Steven Knight discusses experimenting with the series, talking to his characters and writing without a plan.
When a girl goes missing while playing a game with her father, it sets two detectives on the trail of a deadly kidnapper. Film UA’s Kateryna Vyshnevska and Olesya Lukyanenko tell DQ about Ukrainian drama Hide & Seek.
Baran bo Odar, co-creator of German supernatural drama Dark, tells DQ about the origins of the Netflix series and gives an insight into his creative process and the trouble with writers block.
Writer Sarah Lambert and director Jeffrey Walker discuss making four-part Australian drama Lambs of God, in which Essie Davis, Ann Dowd and Jessica Barden star as nuns living at an isolated monastery.
Philipp Käßbohrer and Matthias Murmann reveal the backstory behind their Netflix series How to Sell Drugs Fast (Online), a teenage buddy comedy about a fledgling school drug dealer, which mixes romance with elements of a gangster thriller.
US writer Karen Hall looks back on a storied career that has seen her work on series from Eight is Enough and M*A*S*H – and its celebrated finale – to groundbreaking crime drama Hill Street Blues, Moonlighting and The Good Wife.
Ahead of the return of Netflix’s Spanish young-adult thriller Élite, co-creator and writer Darío Madrona tells DQ about making the series, which follows the pupils of an exclusive school where love and rivalry lead to murder.
Leticia Dolera, writer, director and star of Dejate Llevar (Perfect Life), introduces the Spanish dramedy, which won best series and the special performance prize following its premiere at Canneseries.
Bend It Like Beckham director Gurinder Chadha arrives on ITV with her first longform series, Beecham House. In this DQTV video, she explains why the period drama offers a fresh perspective of the British-Indian relationship.
Russell T Davies, creator and writer of Years and Years, and executive producer Nicola Shindler break down this future-gazing six-part family saga, which follows the fates and fortunes of the Lyons family through 15 tumultuous years in Britain.
Mikael Persbrandt and Sophia Heikkilä, two of the stars of Finnish-Chilean period drama Invisible Heroes, talk about making the political thriller, which is set in Chile during General Pinochet’s military coup in 1973.
Chris Carey, producer of the epic six-part retelling of Victor Hugo’s Les Misérables, opens up about working with writer Andrew Davies, recreating 19th century Paris and the physical and emotional challenges of working as a producer.
As the dust settles on the end of Game of Thrones, exec producer Frank Doelger looks back on eight seasons of the HBO epic, noting how the drama broke the mould for TV storytelling and revealing the key to successfully adapting George RR Martin’s novels.
Before walking the pink carpet at this year’s Canneseries, Coroner star Serinda Swan sat down with DQ to talk about the appeal of the crime drama and why she believes it’s time for Canadian creatives to come home.
Peter Van Den Begin, the star of Flemish tragicomedy Studio Tarara, and co-writer and director Tim Van Aelst discuss the making of the Canneseries official competition entry, which goes behind the scenes of a popular but chaotic 1990s sketch show.