All articles on DQ are gathered here.
Noel Clarke and Ashley Walters team up as a dynamic cop duo in Sky1’s action-packed crime drama Bulletproof, from the makers of Britannia. They tell DQ about creating and starring in the series together and why the show stands out on the British drama landscape.
As sci-fi drama Humans enters its third season, movement choreographer Dan O’Neill reveals the new challenges he faces turning the show’s expanding cast into its iconic ‘synths.’
Procedural series were once the bread and butter of US broadcast networks. But international buyers are finding them harder to come by amid the appetite for increasingly serialised storytelling. DQ examines the future of the story-of-the-week format.
Brazil’s Globo tackles the body-swap format in The Formula, which sees a scientist transform into a younger version of herself. DQ chats to leading actors Drica Moraes and Luisa Arraes about playing very different versions of the same character.
Eve Myles, the star of Welsh drama Keeping Faith (Un Bore Mercher), tells DQ about working with a “world class” team on the hit series and discusses her approach to acting and the roles she looks for.
Lee Ingleby is out to prove he’s not a murderer in ITV’s emotionally taut four-part drama Innocent. DQ speaks to writers Matt Arlidge, Chris Lang and producer Jeremy Gwilt about putting viewers at the heart of this moral dilemma.
London’s Royal Festival Hall hosted the most prestigious night of the year for British television as prizes were handed out to dramas including Peaky Blinders and Three Girls. DQ went behind the scenes at the Bafta Television Awards 2018.
As the final season of Bron/Broen (The Bridge) arrives in the UK, actors Sofia Helin and Thure Lindhardt, creator Hans Rosenfeldt and head writer Camilla Ahlgren reflect on the success of the internationally acclaimed series.
Dexter star Michael C Hall, writers Harlan Coben and Danny Brocklehurst and exec producer Nicola Shindler reveal the secrets behind making new Netflix and Canal+ thriller Safe.
Executive producer Sophie Gardiner and director Vanessa Caswill tell DQ about taking a new adaptation of Louisa May Alcott’s classic novel Little Women from page to screen in just 12 months.
With the third season of Netflix’s The Crown about to begin production, creator and writer Peter Morgan explains why he keeps going back to the royal family and discusses the pitfalls of depicting real people.